Page 70 - Shakespeare in the Movie From the Silent Era to Shakespeare in Love
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Star-Crossed Lovers  /  59


         Without  a Cause) were perceived,  in  their time,  as  1950s  variations
        on the theme.  Onstage in the  mid-1950s and on-screen in  1961, com-
        posers  Stephen  Sondheim  and  Leonard Bernstein  collaborated  with
        choreographer  Jerome Robbins to  musically  reset  Romeo  and Juliet
        in  New  York's mean  streets,  with  white  and Puerto  Rican  gangs in
        conflict  over turf  (West  Side  Story).
           Over  the  years,  versions  have  been  filmed  in  Spain  (Julieta  Y
        Romeo,   1940),  Egypt  (Shulhadaa  el gharam, 1942), Mexico  (.Romeo  7
        Julieta,  1943), India  (Anjuman,  1948), France (Les  Amants  de  Verone,
         1949),  Russia  (.Romeo  and  Juliet,  1954),  Czechoslovakia  (Romeo,
        Julie  a  tma,  1959),  Italy  (.Romeu  Giuletta  e romeo,  1964), Canada
        (.Rome-O and Julie  8,  1979),  Brazil (.Romeu  Y  Ulieta,  1982),  and  the
        United  States  (China Girl,  1987). The  feuding  families  can  become
        competing   rural  ranchers  or  big-city  bootleggers,  but  the  young
        people always remain  essentially  the  same.
           When, in  1961, writer-director  Peter Ustinov  decided to  puncture
        the  decade-old Cold  War with  humor,  he  concocted  Romanoff  and
        Juliet,  in  which  Sandra Dee,  as the  daughter  of an American ambas-
        sador,  falls  in  love with John Gavin,  son  of the  ambassador's  Soviet
        counterpart.
           During  the  peace-and-love era,  shortly  before  Zeffirelli's version
        reached  theater  screens,  young people  were flocking to  see Warren
        Beatty  and  Faye  Dunaway  in  Bonnie  and  Clyde  (1967)  and  Dustin
        Hoffman   and  Katharine  Ross  in  The  Graduate (1967),  concerning
        pairs  of edgy outlaws  and  disenfranchised rich  kids  at  odds with  a
        corrupt Establishment.  Though  Shakespeare's  intent appears to have
        been considerably less radical than  such  contemporary  counterparts,
        the  play's  legend has  acquired a life  all its own; lest  we forget,  a  1964
        rock-and-roll  song by the  Reflections featured  the  refrain  "Just  like
                           .
        Romeo   and Juliet . . "  That  era's  greasers understood  what  that
        meant  as  surely  as  do  the  Gen  Xers who  lined  up  for the  hip-hop
        version with  Leonardo DiCaprio  and Claire  Danes.
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