Page 107 - Sport Culture and the Media
P. 107

88   || SPORT, CULTURE AND THE MEDIA


                         commercial clout of that country’s television audience. Avid sports fans have
                         been lured over time in respectable numbers to subscribe to pay TV, especially
                         when the siphoning of their favourite live sports from free-to-air television
                         means that they have no other home viewing option (as has occurred with
                         rugby union in New Zealand). What is intriguing about much of the content
                         of satellite and other pay TV delivered sport, however, is that there is no dis-
                         cernibly strong demand for it. Multiple 24-hour pay TV sports channels are
                         as subject to the scarcity of ‘good’ (in the sense of ‘good enough to pay for’)
                         content as are those devoted to film, comedy or drama. Apart from blue chip
                         and some emerging sports (with what in the industry is called a cult following),
                         the content of pay TV sport outside its core markets is often simply ‘channel
                         filler’ – an alternative to the test pattern. In such cases, pay sports TV resembles
                         what Raymond Williams (1974) describes in  Television: Technology and
                         Cultural Form as the prevailing conditions existing during the invention of
                         television (and radio) in the first place – a technology looking for a use.


                         Sport as screen filler

                         In addressing questions of the uses and abuses of television sport, it is worth
                         quoting the following well-known passage from Williams’s book, not least
                         because of the central place it gives to sport:

                           Unlike all previous communications technologies, radio and television
                           were systems primarily devised for transmission and reception as abstract
                           processes, with little or no definition of preceding content. When the
                           question of content was raised, it was resolved, in the main, parasitically.
                           There were state occasions, public sporting events, theatres and so on,
                           which would be communicatively distributed by these new technical
                           means. It is not only that the supply of broadcasting facilities preceded the
                           demand: it is that the means of communication preceded their content.
                                                         (Williams 1974: 25, original emphasis)

                         When viewers, then, in one country switch on a 24-hour TV sports channel
                         and encounter an obscure (to them) sport from another country (receiving the
                         same broadcast, including commentary, as the citizens of that country), it is
                         unlikely that they are receiving a service which they urgently demand. In
                         such instances, it is not so much, as Cunningham and Jacka (1996) suggested
                         earlier, a question of pay sports television growing to fill an emerging demand,
                         but, somewhat curiously in economic terms, to supply the filler for what would
                         otherwise be a newly created but empty space. Where sports are hoping to
                         cultivate a new audience (and sometimes paying or subsidizing the broadcasters
   102   103   104   105   106   107   108   109   110   111   112