Page 89 - The Language of Humour
P. 89

76 WRITTEN TEXTS—LITERATURE
            uses a different rhetorical style, which builds up in a long sentence, with
            many digressions: ‘or at any rate’, ‘whether or not’, ‘seems to me’ This
            all suggests that the speaker is taking the time to be absolutely precise.
            The f inal comparison that is of fered is a ridiculous overstatement, ‘the
            worst excesses of  the French  Revolution’, that  undermines  the
            impression of authority and good sense.

                                    Extension

            Collect examples of films and  plays  marketed as comedies, and
            consider whether these three features occur: a plot structure that deals
            with obstacles in the way of young lovers; comic interludes provided by
            characters marked by their language as from a lower class; and humour
            created through double meanings and sexual innuendo.

                                      Prose

            This section does not deal with books that are compilations of material
            originally performed on stage, radio or television. (See Units 7 and 8.)
            Nor does it  include books that are compilations of short, humorous
            extracts or comic novels. The term  comic novel indicates that it will
            clearly be humorous, or satirical, in its overall purpose and structure.

                         HUMOUR IN CHARLES DICKENS

            Other novels have humour occurring as one of many devices, alongside
            passages that  have no humorous content.  The novels of Charles
            Dickens, for example, have some richly comic characters, even though
            the work itself would not be classed as primarily humorous. Examples
            could be taken from almost any novel of Dickens. His characters are
            often described as ‘caricatures’, as their physical features and character
            traits are exaggerated to comic effect.
              The  targets of Dickens’s satire in  Hard Times are the  utilitarian
            philosophies of education and industry, represented in the following
            extract by the character of Thomas Gradgrind. Dickens shows his ideals
            to be misguided, partly by the disasters that occur in the plot, and partly
            by individual scenes like this, parodying the characters and his beliefs.
   84   85   86   87   88   89   90   91   92   93   94