Page 16 - The Master Handbook Of Acoustics
P. 16

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                                                                                             CONTENTS


                                    The Bonello Criterion                            348
                                    Controlling Problem Modes                        348
                                    Mode Summary                                     350

                      Chapter 16    Reflections in Enclosed Spaces                   353

                                    Law of the First Wavefront                       353
                                    Mean Free Path                                   354
                                      The effect of single reflections               355
                                      Perception of sound reflections                355
                                      Perception of spaciousness                     357
                                      Image changes                                  357
                                      Discrete echoes                                357
                                      Effect of angle of incidence on audibility
                                       of reflection                                 357
                                      Effect of signal type of audibility of reflection   358
                                      Effect of spectrum on audibility of reflection   358
                                      Using reflection data                          359
                                    Large Spaces                                     359
                                      Echoes                                         359
                                    Spaciousness                                     360

                      Chapter 17    Comb-Filter Effects                              363

                                    What Is a Comb Filter?                           363
                                    Superposition of Sound                           364
                                    Tonal Signals and Comb Filters                   365
                                      Combing of music and speech signals            367
                                      Combing of direct and reflected sound          368
                                    Comb Filters and Critical Bands                  371
                                    Comb Filters in Stereo Listening                 374
                                    Coloration and Spaciousness                      374
                                    Combing in Stereo Microphone Pickups             375
                                    Audibility of Comb-Filter Effects                375
                                      Comb filters in practice                       376
                                      Estimating comb-filter response                380

                      Chapter 18    Quiet Air for the Studio                         385

                                    Selection of Noise Criterion                     386
                                    Fan Noise                                        388
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