Page 221 - The Master Handbook Of Acoustics
P. 221

196   CHAPTER NINE



                                                              1,722 Hz. The odd multiples of both the
                        1.0                                   10-cm and the 20-cm quarter wavelengths
                                                              are spotted on the upper part of Fig. 9-16.
                        0.8        Draped to  1 /2 area       when spaced from the wall, and the effect
                                                                 The absorption of the velour is greater
                       Absorption coefficient  0.6  Draped to  3 /4 area  is greatest in the 250-Hz to 1-kHz region.

                                                              At 125 Hz, the 10 and 20 cm spacing adds
                                       Draped to  7 /8 area
                                                              practically nothing to the drape absorption
                        0.4

                                                              spacing is 2.26 feet. When referring to
                        0.2                                   because at 125 Hz, the quarter wavelength
                                                              quarter wavelengths, sine waves are
                          0
                          125   250  500  1 kHz 2 kHz 4 kHz   inferred. Absorption measurements are
                                     Frequency - Hz           invariably made with bands of random
                    FIGURE 9-14                               noise. Hence we must expect the wiggles
                                                              of Fig. 9-15B to be averaged out by the use
                   The effect of draping on the sound absorption of
                                   1
                   drapes.  “Draped to   2 area” means that folds are  of such bands.
                   introduced until the resulting drape area is half that
                                                  9
                   of the straight fabric. (After Mankovsky. )
                                                              Carpet as Sound Absorber
                                   Carpet commonly dominates the acoustical picture in spaces as
                                   diverse as living rooms, recording studios, and churches. It is the one
                                   amenity the owner often specifies in advance and the reason is more
                                   often comfort and appearance than acoustic. For example, the owner
                                   of a recording studio with a floor area of 1,000 square feet specified
                                   carpet. He was also interested in a reverberation time of about 0.5 sec-
                                   ond, which requires 1,060 sabins of absorption. At the higher audio
                                   frequencies, this heavy carpet and pad with an absorption coefficient
                                   of around 0.6 gives 600 sabins of absorption at 4 kHz or 57% of the
                                   required absorption for the entire room before the absorption needs of
                                   walls and ceiling are even considered. The acoustical design is almost
                                   frozen before it is started.
                                      There is another, more serious problem. This high absorbance of
                                   carpet is only at the higher audio frequencies. Carpet having an
                                   absorption coefficient of 0.60 at 4 kHz offers only 0.05 at 125 Hz. In
                                   other words, the 1,000 sq ft of carpet introduces 600 sabins at 4 kHz
                                   but only 50 sabins at 125 Hz! This is a major problem encountered in
                                   many acoustical treatment jobs. The unbalanced absorption of carpet
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