Page 107 - Cultural Studies Dictionary
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DICTIONARY OF CULTURAL STUDIES



                   critical theory. His current research preoccupations include mixed media pedagogy
                   and the integration both of critical thinking into art making, and of critically
                   inflected art practice into the mainstream.
          84       • Associated concepts Bricolage, signs, style, subculture, youth culture.
                   • Tradition(s) Cultural studies, Marxism, poststructuralism, structuralism.
                   • Reading Hebdige, D. (1979) Subculture: The Meaning of Style. London and New
                      York: Routledge.

                Hegemony The concept of hegemony played a significant part in the development of
                   cultural studies and was a core concept of the field during the 1970s and 1980s.
                   According to this theory, there is a strand of meanings within any given culture that
                   can be called governing or ascendant. The process of making, maintaining and
                   reproducing this authoritative set of meanings, ideologies and practices has been
                   called hegemony.
                      For  Gramsci, from whom cultural studies appropriated the term, hegemony
                   implies a situation where a ‘historical bloc’ of ruling class factions exercises social
                   authority and leadership over the subordinate classes through a combination of
                   force and, more importantly, consent. Gramscian concepts proved to be of long-
                   lasting significance within cultural studies because of the central importance given
                   to popular culture as a site of ideological struggle. In effect, Gramsci makes
                   ideological struggle and conflict within civil society the central arena of cultural
                   politics, with hegemonic analysis the mode of gauging the relevant balance of
                   forces.
                      Within Gramscian analysis, a hegemonic bloc never consists of a single socio-
                   economic category but is formed through a series of alliances in which one group
                   takes on a position of leadership. Ideology plays a crucial part in allowing this
                   alliance of groups (originally conceived in class terms) to overcome narrow
                   economic-corporate interest in favour of ‘National-Popular’ dominance. Thus, ‘a
                   cultural–social unity’ is achieved through which a multiplicity of dispersed wills and
                   heterogeneous aims are welded together to form a common conception of the
                   world. The building, maintenance or subversion of a common conception of the
                   world is an aspect of ideological struggle involving a transformation of
                   understanding through criticism of the existing popular ideologies.
                      Hegemony can be understood in terms of the strategies by which the world-
                   views and power of ascendant social groups are maintained. However, this has to
                   be seen in relational terms and as inherently unstable since hegemony is a temporary
                   settlement and series of alliances between social groups that is won and not given.
                   Further, it needs to be constantly re-won and re-negotiated so that culture is a
                   terrain of conflict and struggle over meanings. Hegemony is not a static entity but
                   is constituted by a series of changing discourses and practices that are intrinsically
                   bound up with social power. Since hegemony has to be constantly re-made and re-
                   won, it opens up the possibility of a challenge to it; that is, the making of a counter-
                   hegemonic bloc of subordinate groups and classes.
                      Neo-Gramscian hegemony theory has been challenged on the grounds that
                   Western culture no longer has a dominant centre either in terms of production or
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