Page 125 - Cultural Studies Dictionary
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DICTIONARY OF CULTURAL STUDIES



                   Links Anti-essentialism, author, deconstruction, dialogic, différance, postmodernism,
                   poststructuralism


         102    Irigaray, Luce (1932– ) Irigaray was born and educated in Belgium though she has
                   spent a considerable period of her working life in France. She engages in
                   philosophy, linguistics and psychoanalysis to explore the operations of patriarchy
                   and the exclusions of women. For Irigaray, woman is outside the specular (visual)
                   economy of the Oedipal moment and thus outside of representation (that is, of the
                   symbolic order) so that ‘woman’ is not an essence per se but rather that which is
                   excluded. Irigaray proceeds by way of deconstructing Western philosophy which
                   she critiques for its exclusions while ‘miming’ the discourse of philosophy; that is,
                   she talks its language but in ways that question the capacity of philosophy to
                   ground its own claims. Her style varies from the lyrical and poetic to the political
                   and didactic.
                   • Associated concepts Différance,  écriture feminine, Oedipus complex, Other,
                      patriarchy, phallocentric, sex, subjectivity.
                   • Tradition(s) Feminism, poststructuralism, psychoanalysis.
                   • Reading Irigaray, L. (1985) This Sex Which Is Not One (trans. C. Porter and C.
                      Burke). Ithaca, NY: Cornell University Press.

                Irony It is pertinent to note that the increased popularity of the concept of irony is
                   coterminous with the decline of the certainties of Marxism, science, progress and
                   other grand narratives of modernity. In other words, cultural theory is moving away
                   from a sense of surety in its foundations towards awareness of its own contingency.
                   In that sense, irony refers to a reflexive understanding of the contingency or lack
                   of foundations of one’s own values and culture. This mode of thinking, both in
                   cultural theory and in everyday life, is said by a number of writers to be a feature
                   of the postmodern condition.
                      Speaking philosophically, the foremost proponent of the concept of irony in
                   social and cultural theory is Richard  Rorty. For Rorty, recognition of the
                   contingency of language leads us to irony where the concept means holding to
                   beliefs and attitudes that one knows are contingent and could be otherwise, that is,
                   they have no universal foundations. This condition directs us to ask about what
                   kind of a person we want to be (for no transcendental truth and no transcendental
                   God can answer this question for us) and how we should relate to fellow human
                   beings – how shall we treat others?
                      For Rorty, these are pragmatic questions requiring political-value responses and
                   not metaphysical or epistemological issues. Rorty goes on to argue that we do not
                   require certain and universal foundations in order to pursue a pragmatic
                   improvement of the human condition. Rather, we do so on the basis of the values
                   of ‘our’ own tradition even though we are aware that our values are not the only
                   defendable ones. In this sense, irony underpins social, cultural and political
                   pluralism for it cuts away the idea that ‘we’ and only we know how to proceed for
                   the best.
                      In more everyday usage, the concept of irony can refer to the self-knowledge that
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