Page 55 - Cultural Studies Dictionary
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DICTIONARY OF CULTURAL STUDIES



                      Thus the model of communication proposed by Shannon and Weaver in the
                   1940s (Figure 1) presents the process as a linear one in which the informational
                   message itself is clear and can be understood unambiguously by its receiver
          32       provided it is not subject to interference (noise).
                      The study of communication within cultural studies has taken place at the levels
                   of production (political economy), text (semiotics, discourse analysis) and reception
                   (or consumption). Although debate has raged about the relative significance of each
                   level, it is clear that the processes of communication and culture need to be explored
                   at all these levels in a multi-perspectival examination of the circuit of culture.

                   Links Circuit of culture, culture, encoding–decoding, meaning, polysemy, signs

                Constructionism A generic name given to anti-essentialist theories that stress the
                   culturally and historically specific creation of meaningful categories and
                   phenomena. This is in contrast to theories that appeal to universal and biological
                   explanations for objects and events. For example, the body, which is commonly
                   held to be a simple biological given of nature, is understood by constructionism to
                   be also an outcome of the forces of culture. The functioning of ‘emotions’ for
                   example is said to show evidence for differential responses within divergent cultures
                   or social situations.
                      Similarly, identities are held to be discursive constructions that do not refer to an
                   already existent ‘thing’. That is, identity is not a universal entity but a culturally
                   specific discursive construction. Indeed, even sexual identity is not thought to be
                   a reflection of a natural state of being but rather is a matter of representation. Thus,
                   there can be no biological ‘sex’ that is not also cultural since there is in principle no
                   access to biological ‘truths’ that lie outside of cultural discourses. Sexed bodies are
                   always already represented as the product of regulatory discourses of sexuality.
                      Constructionism is grounded in the anti-representationalist account of language.
                   That is, language does not act as a mirror able to reflect an independent object
                   world but is better understood as a tool that we use to achieve our purposes.
                   Language ‘makes’ rather than ‘finds’ and representation does not ‘picture’ the world
                   but constitutes it. Here, the limits of language are said to mark the edge of our
                   cognitive understanding of the world, for our acculturation in and through
                   language is constitutive of our values, meanings and knowledge. As such, for
                   constructionism there are no culturally transcendental or ahistorical elements to
                   what it is to be a human being.
                      For constructionism the very notion of what it is to be a person is a cultural
                   variable since the resources that form the materials of personhood are the languages
                   and cultural practices of specific times and places. Indeed, the very concept of ‘I’ as
                   a self-aware object is held to be a modern Western conception that emerged out of
                   science and the ‘Age of Reason’. In short, we are constituted as individuals in a
                   social process using culturally shared materials, and meaning is formed in the joint
                   action of social relationships, accounting practices and conversations.
                   Consequently, our maps and constructs of the world are never simply matters of
                   individual interpretation but are inevitably a part of the wider cultural repertoire of
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