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                                                 ••• Ann Brooks •••

                      (1997: 207). She also notes that: ‘In the postcolonial context of a constant flux of
                      peoples, affiliation with the nation state becomes highly partial and contingent’
                      (ibid.: 195). Transculturalism and transnationalism require a reconceptualization of
                      representation, subjectivity and identity which diasporic feminist film-makers have
                      gone some way to addressing in their reframing of cultural and filmic discourses. This
                      chapter has attempted to explore how discourses on transnationalism and transcul-
                      turalism have shown both ‘place-bound’ and ‘disciplinary-bound’ concepts of sub-
                      jectivity, representation and identity to be an inadequate way of representing new
                      cultural and ethnic identities on the global stage. The interdisciplinary matrix of cul-
                      tural studies including feminism, postcolonialism, postmodernism, critical ethnog-
                      raphy, film, literature and cultural politics have been shown to produce a dynamic
                      interplay of epistemological and representational discourses more reflective of the
                      transnationalization of genders, classes, ethnicities, and publics which frame the
                      contemporary social world.



                                                       Notes


                      1 I am grateful to McKenzie Wark for this concept. See Wark (1992).
                      2 See Graeme Turner (1992b).


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