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••• Ann Brooks •••
(1997: 207). She also notes that: ‘In the postcolonial context of a constant flux of
peoples, affiliation with the nation state becomes highly partial and contingent’
(ibid.: 195). Transculturalism and transnationalism require a reconceptualization of
representation, subjectivity and identity which diasporic feminist film-makers have
gone some way to addressing in their reframing of cultural and filmic discourses. This
chapter has attempted to explore how discourses on transnationalism and transcul-
turalism have shown both ‘place-bound’ and ‘disciplinary-bound’ concepts of sub-
jectivity, representation and identity to be an inadequate way of representing new
cultural and ethnic identities on the global stage. The interdisciplinary matrix of cul-
tural studies including feminism, postcolonialism, postmodernism, critical ethnog-
raphy, film, literature and cultural politics have been shown to produce a dynamic
interplay of epistemological and representational discourses more reflective of the
transnationalization of genders, classes, ethnicities, and publics which frame the
contemporary social world.
Notes
1 I am grateful to McKenzie Wark for this concept. See Wark (1992).
2 See Graeme Turner (1992b).
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