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                                          Feminist Knowledge

                  CHAPTER ELEVEN          and Socio-Cultural
                 ••••••••
                                          Research


                                          Ethnomimesis, feminist

                                          praxis and the

                                          visual turn


                                          Maggie O’Neill





                                                Introduction


                  This chapter explores cultural sociology in practice by focusing upon the author’s par-
                  ticipatory action research with female sex workers. An interpretive feminist account of
                  women’s life histories, rooted in immersion in the feeling worlds of participants is re-
                  presented through fragments of women’s narratives, live art and photography. This
                  approach is defined as ‘ethno-mimesis’, and is rooted in four key concepts: (1) the inter-
                  relation between feminist thought and practice/praxis involving a methodological
                  process of immersion, interpretation, commentary and criticism; (2) the importance of
                  critical feminist theory; (3) interpretive ethnography as a way of understanding
                  women’s lived experiences, especially the development of critical standpoint episte-
                  mologies; and (4) cultural sociology as praxis – as transformative.
                    Through cultural sociology in practice (as praxis) sociologists can better understand the
                  socio-cultural-political (macro) relations and inter-relations, and the multiple (micro) ‘real-
                  ities’ we might want to transform. Accessing and documenting lived experiences in a
                  reflexive, critically aware way can lead us to a better understanding of psychic processes
                  and socio-cultural structures and processes. This knowledge in turn can help us to develop
                  transformative possibilities through conducting participatory action research (PAR).
                    The author’s concept of ‘ethno-mimesis’ is defined in this chapter through a combina-
                  tion of participatory action research and participatory arts informed by the work of
                  Adorno and Benjamin. Ethno-mimesis draws upon ‘feeling forms’ such as photographic

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