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                                                 ••• John Scott •••

                      generally orthodox position. Indeed, Lichtheim has remarked, only a little unfairly,
                      that his work on aesthetics and literary theory during the 1930s (Lukacs, 1937, and
                      various essays later published as Lukacs, 1946) ‘are the work of a man who had per-
                      formed a kind of painless lobotomy upon himself, removed part of his brain and
                      replaced it by slogans from the Moscow propagandists’ (Lichtheim, 1970: 83–4).
                        Lukács returned to Hungary in 1945, and the main works that he published after
                      his return were studies that he had been preparing through the 1930s and 1940s.
                      These were a study of Hegel (Lukács, 1948), and a massive history of German thought
                      since Schelling (Lukács, 1953), in which he criticized Heidegger, Jaspers, and the
                      German sociological tradition in the name of Lenin’s representational realism. He
                      also produced a study of modernism (Lukács, 1958), and, in the early 1960s, a two-
                      volume study of aesthetics. These works were attempts to rebuild the approach to
                      aesthetics that he had set out in his very earliest works, but from a more orthodox
                      Marxist basis. His final work, the outcome of his reflections on the implications for
                      Marxism of Marx’s early manuscripts and Lenin’s philosophical notebooks, was The
                      Ontology of Social Being, which was published only after his death (Lukács, 1971a). 7



                                           Marxist Humanism at Frankfurt


                      The core ideas of Marxist humanism as a method of cultural analysis were set out in
                      Lukács’s key work. It was developed in its classic form, however, by a group of
                      German academic Marxists who took up Lukács’s ideas and enlarged them into a sys-
                      tematic social theory. These were the theorists of the Institute of Social Research at
                      the University of Frankfurt.
                        The Institute was formed in 1923 with an institutional existence quite separate
                      from the Department of Sociology (then headed by Franz Oppenheimer) and the
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                      other academic departments of the university. Formed with funding from Felix
                      Weil, the son of a wealthy merchant, its aim was to carry out and promote radical
                      social research. Weil, a committed Marxist who had helped to finance the publica-
                      tion of Lukács’s History and Class Consciousness, promoted the Institute in order to
                      further Marxist research on socialism and the labour movement. Karl Korsch, then at
                      Jena but soon to be enmeshed in the controversies surrounding his and Lukács’s
                      work, actively supported the Institute’s research. Under its first Director, Carl
                      Grüneberg, this interdisciplinary group of Marxist scholars had a distinctly Austro-
                      Marxist focus: Grüneberg had studied at Vienna under both Hilferding and Renner.
                      Its members and work in the early years included Henryck Grossman on the eco-
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                      nomics of monopoly and finance capital, Karl Wittfogel on Chinese society, Franz
                      Borkenau on feudal and bourgeois world-views, and Friedrich Pollock on the Soviet
                      planned economy. Members of the Institute of Social Research worked closely with
                      Ryazanov’s editing of the Marx archives in Moscow.
                        Grüneberg’s retirement in 1929 precipitated a shift in focus for the Institute, which
                      became both more philosophical and more concerned with cultural issues. The

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