Page 263 - Cultural Theory
P. 263
Edwards-3516-Ch-12.qxd 5/9/2007 6:08 PM Page 252
••• Eamonn Carrabine •••
Brackett, D. (2002) ‘(In search of) musical meaning: genres, categories and crossover’, in
D. Hesmondhalgh and K. Negus (eds) Popular Music Studies. London: Arnold.
Bull, M. (2000) Sounding Out the City. Oxford: Berg.
Buxton, D. (1983) ‘Rock music, the star system, and the rise of consumerism’, in S. Frith and
A. Goodwin (eds) On Record. London: Routledge.
Carrabine, E. and Longhurst, B. (1999) ‘Mosaics of omnivorousness: suburban youth and
popular music’, New Formations, 38: 125–40.
Carrabine, E. and Longhurst, B. (2002) ‘Consuming the car: anticipation, use and meaning in
contemporary youth culture’, Sociological Review, 50 (2): 181–96.
Cavanagh, D. (2001) The Creation Records Story: My Magpie Eyes are Hungry for the Prize. London:
Virgin.
Chapple, S. and Garafalo, R. (1977) Rock ‘n’ Roll is Here to Pay: The History and Politics of the Music
Industry. Chicago: Nelson Hall.
Clarke, G. ([1981]1997) ‘Defending ski-jumpers: a critique of theories of youth subcultures’, in
K. Gelder and S. Thornton (eds) The Subcultures Reader. London: Routledge.
Clarke, J., Hall, S. Jefferson, T. and Roberts, B. (1976) ‘Subcultures, cultures and class’, in S. Hall
and T. Jefferson (eds) Resistance through Rituals: Youth Subcultures in Post-war Britain. London:
Routledge.
Cohen, P. (1972) ‘Subcultural conflict and working class community’, Working Papers in Cultural
Studies, 2, Spring: 5–52.
Crafts, S., Cavicchi, D. Keil, C. and the Music in Daily Life Project (1993) My Music. London:
Wesleyan University Press.
DeNora, T. (2000) Music in Every Life. Cambridge: Cambridge University Press.
Derrida, J. (1976) Of Grammatology. Baltimore, MD: Johns Hopkins University Press.
Du Gay, P., Hall, S., Janes, L., Mackay, H. and Negus, K. (1997) Doing Cultural Studies: The Story
of the Sony Walkman. London: Sage.
Dyer, R. (1982) Stars. London: British Film Institute.
Dyer, R. (1991) ‘A star is born and the construction of authenticity’, in C. Gledhill (ed.) Stardom:
Industry of Desire. London: Routledge.
Eliot, M. (1989) Rockonomics: The Money Behind the Music. New York: Franklin Watts.
Fonarow, W. (1996) ‘Spatial distribution and participation in British contemporary musical per-
formances’, Issues in Applied Linguistics, 7 (1): 33–43.
Fonarow, W. (1997) ‘The spatial organization of the indie music gig’, in K. Gelder and
S. Thornton (eds) The Subcultures Reader. London: Routledge.
Frith, S. (1983) Sound Effects: Youth, Leisure and the Politics of Rock. London: Constable.
Frith, S. ([1985] 1990) ‘Afterthoughts’, in S. Frith and A. Goodwin (eds) On Record. London:
Routledge.
Frith, S. (1988) ‘Why Do Songs Have Words’, in Music for Pleasure: Essays in the Sociology of Pop,
Cambridge: Polity.
Frith, S. (1996) Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University
Press.
Frith, S. (2004) ‘Afterword’, in A. Bennett and K. Kahn-Harris After Subculture: Critical Studies in
Contemporary Youth Culture. Basingstoke: Palgrave Macmillan.
Frith, S. and McRobbie, A. ([1978] 1990) ‘Rock and sexuality’, in S. Frith and A. Goodwin (eds)
On Record. London: Routledge.
Garnham, N. (1990) ‘Public policy and the culture industries’, in Capitalism and Communication:
Global Culture and the Economics of Communication. London: Sage.
Gendron, B. (1986) ‘Theodor Adorno meets the cadillacs’, in T. Modleski (ed.) Studies in
Entertainment: Critical Approaches to Mass Culture. Bloomington: Indiana University Press.
George, N. (1988) The Death of Rhythm and Blues. London: Omnibus Press.
Gilroy, P. (1987) There Ain’t No Black in the Union Jack. London: Hutchinson
Gilroy, P. (1993) The Black Atlantic: Modernity and Double Consciouness. London: Verso.
Goddard, S. (2002) The Smiths: Songs That Saved Your Life. London: Reynolds and Hearn Ltd.
Goffman, E. (1963) Behavior in Public Places. New York: Free Press.
• 252 •