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THE  QUESTION  OF  CULTURAL  GENDER

               research tradition which re-evaluates traditional feminine genres and
               forms, like the women’s picture, romantic fiction, the diary and the
               magazine, and either by implication or directly, investigates audience
               engagement. Soap opera, as a genre, including US prime-time shows as
               well as much more localized national serials, has moved from being a
               ridiculed object of study to a mainstay of many syllabuses.
                                                     (Brunsdon 1997: 190).

            The Anglo-American research tradition introduced the term ‘female genre’.
            On the one hand, the tradition wanted to make visible what had been sup-
            pressed. On the other hand it also tried to identify the distinctive feminine
            features of cultural products – links among women’s empirical choices, the
            ‘feminine essence’, ‘female space’, and the ‘feminine experience’, for example.
              But something has happened since the days of the groundbreaking ethno-
            graphic research and theorizing of the late 1970s and 1980s. Empirical work on
            women’s  cultural  issues  has  receded  into  oblivion.  As  Angela  McRobbie
            writes:

               While there has been an enormous output of feminist poststructuralist
               writing  of  late,  there  has  been  some  resistance  to  looking  outside
               ‘theory’ and asking some practical questions about the world we live
               in. At every point the spectre of ‘humanism’ haunts the practise of
               those  who  align  themselves  with  the  ‘anti-Es’.  Ethnography?  That
               truth-seeking activity reliant on the (often literary) narratives of exoti-
               cism and difference? Can’t do it, except as a deconstructive exercise.
               Empiricism? The ‘representation’ of results, the narrative of numbers?
               Can’t do it either, except as part of a critical genealogy of sociology
               and its role in the project of modernity and science. Experience? That
               cornerstone of human authenticity, that essential core of individuality,
               the spoken voice of evidence of being and the coincidence of con-
               sciousness with identity? Can’t do it, other than as a psychoanalytic
               venture.
                                                     (McRobbie 1997: 170)

            This quotation neatly captures the feelings of many researchers interested in
            gender  issues,  and  in  particular  social  scientists  who  do  empirical  research,
            including  me.  Many  scholars  who  started  their  academic  careers  with  great
            enthusiasm for women’s studies have moved on to less philosophically troubled
            waters and more manageable research topics. Many scholars seem to feel now
            that it is impossible to say anything specific or concrete about gender without
            being labeled a hopelessly outdated essentialist. Even a young female university
            student can refuse to answer a question concerning women, claiming that it is
            impossible  to  answer  because,  after  all,  ‘women  don’t  exist’  (a  claim  made
            recently by a University of Helsinki student). From this viewpoint, all empirical

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