Page 140 - CULTURE IN THE COMMUNICATION AGE
P. 140

CULTURAL  FRONTS

            define and identify, that which they believe is dead and alive in their own
            culture.  These  are  all  steps  along  an  infinite  path  of  symbolic  activity  and
            dialogical  reflexivity  in  which  meaningful  encounters  with  the  ‘other’  are
            crucial. Indeed, a complex cultural attitude is surely needed as we navigate the
            turbulences of the Communication Age.


                                        Notes
            Special thanks to James Lull for his constant encouragement and extensive editorial
            work in Colima and California, and for procuring the photos of Ricky Martin and Los
            Tigres  del  Norte.  Thanks  also  to  Henry  Trueba  for  his  donation  of  space,  time,  and
            resources in support of this work.
            1 I  use  ‘momentum’  (quantity  of  motion  of  a  moving  object)  instead  of  ‘state’
              (condition) to name such complex and mobile symbolic relations.
            2 Los Tigres del Norte are probably the most important ranchero band, both in Mexico
              and the United States, mainly because of the traditional flavor of their music and
              lyrics, and because of the appropriation of the music by Mexican workers in the
              USA. Through their music, the lived experience of millions of Mexican immigrants
              has been elaborated into a musical narrative that has enormous appeal and meaning.
            3 I use the expression ‘second-order elaboration’ to describe a more complex level of
              discursive work upon first-order interpretations of the world, all of them taken for
              granted, or doxa (Bourdieu 1993).
            4 This film has been shown for a complete year in Austin, Texas.
            5 Ricky Martin gained world visibility through a combination of public ritual and
              television, first in July 1998 when his song, ‘ La Copa de la Vida’ was selected for the
              opening ceremony of the World Cup in France. His performance was well received
              (mainly in terms of economic profits), and he was invited to the Grammy Awards
              Ceremony  in  1999  (another  combination  of  public  ritual  and  broadcasting),  in
              which his song and style were received as ‘fresh air’. Suddenly, ‘Livin’ the Vida Loca’
              became a big hit. Martin then went straight to the cover of various magazines and
              the most popular prime-time American television shows.
            6 A  taxonomy  implies  making  explicit  some  principle  of  the  hierarchization  of
              relations and symbolic objects.
            7 An ‘attractor’ is a concentration point in which all trajectories converge in equi-
              librium. The social relations of hegemony can be attracted as a complex attractor if
              the convergence point functions to draw and frame different trajectories of meaning
              as an ideological ‘center’ (see Coveney and Highfield 1996).


                                      References
            Anderson,  B.  (1983).  Imagined  Communities:  Reflections  on  the  Origin  and  Spread  of
              Nationalism. London: Verso.
            Babbie, E. (1997). The Practice of Social Research. Belmont: Wadsworth.
            Bakhtin, M. (1996). The Dialogical Imagination. Austin: University of Texas Press.
            Bertaux,  D.  (1977).  Destines  Personnels  et  Structure  de  Classes.  Pour  une  Critique  de
              L’Anthroponomie Politique. Paris: PUF.
            Bertaux, D. and Thompson, P. (eds) (1993). Between Generations: Family Models, Myths and
              Memories. New York: Oxford University Press.


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