Page 125 - A Handbook Genre Studies in Mass Media
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CHAPTER 5

                    Examining the types of criminals who appear in genric programming
                  furnishes perspective into modern culture. As scholar Ken Burke notes,
                  “Our preoccupation with various forms of crime films in recent years
                  reflects the hard reality of life on the street, or even in the board room
                  or the Oval Office where hostile takeovers and clandestine policies
                  undermine our hopes for stability in a high-pressure environment.”
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                  The continual appearance of crime in popular genres perpetuates the
                  misimpression that crime is increasing in the United States. Thus,
                  even though crime is down in the United States, our awareness of
                  crime is up.
                    One way to identify cultural preoccupations is to examine the topics,
                  guests, and themes that appear in a group of genric programs over a
                  span of time. As an example, research assistant Jeff Nelson conducted
                  an indicative, one-week study of the following three afternoon talk
                  shows: Jerry Springer, Maury Povich, and Montel. Table 5.1 lists the
                  topics and guests on these afternoon talk shows between March 27
                  and 31, 2006.
                    Clearly, the predominant cultural preoccupation in this cursory survey
                  is sex, in its many incarnations: paternity issues, cheating, relationships
                  gone bad, and transgender activities. These shows feature the epic themes
                  of revelation, betrayal, confrontation, revenge, and confession. 12
                    Finally, genres do not merely reflect or reinforce culture but also
                  shape attitudes, values, behaviors, preoccupations, and myths. For
                  instance, the presence of a lesbian heroine on the long-running soap
                  opera All My Children has played a significant role in changing the
                  attitudes of its fans regarding the issue of homosexuality. In 2000, a
                  lesbian character, Bianca Montgomery (played by Eden Riegel), was
                  introduced to the series. This plot development was highly controver-
                  sial when it was first introduced. However, over time, the audience
                  began to sympathize with the character, as she bravely endured a
                  series of “soap opera” plot twists. First, she was the victim of a rape
                  that left her pregnant. Next, her baby was kidnapped. Then, Bianca
                  was faced with the dilemma of whether to keep the baby or give it up
                  for adoption.
                    Due to the episodic nature of the soap opera genre, the characters are
                  “guests” in people’s homes five days a week. Consequently, the audience
                  responded as though Bianca was a member of their family, making the
                  issue of homosexuality more personal and, therefore, less threatening.
                  Joan Garry, Executive Director of GLADD explains:

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