Page 144 - A Handbook Genre Studies in Mass Media
P. 144

CULTURAL CONTEXT

                    “In a society committed to progress, the seeking of fame, the climbing
                  of the ladder of renown, expresses something essential in that society’s
                  nature. Even the more grotesque forms of ostentation are connected to
                                                                       41
                  normal desires to be known for one’s talents or for oneself.”  Though
                  celebrities strive for qualities that will set them apart, the ability for these
                  qualities to be reproduced is essential to fame: “Once a vocabulary is
                  created, once a group of gestures is made, they can be reproduced and
                  refined by others”(p. 42). The media’s perpetuation of a celebrity’s im-
                  age is vital for that person to retain their fame. “Whatever political or
                  social or psychological factors influence the desire to be famous, they
                  are enhanced by and feed upon the available means of reproducing the
                  image,” Braudy writes (p. 43).

                       In the past that medium was usually literature, theater, or public monu-
                       ments. With the Renaissance came painting and engraved portraits, and the
                       modern age has added photography, radio, movies, and television. As each
                       new medium of fame appears, the human image it conveys is intensified
                       and the number of individuals celebrated expands. (p. 44)


                    Braudy’s assertions have never seemed truer than in today’s media,
                  immersed in infotainment, reality shows, and innumerable Internet sites
                  devoted to whatever people take the time and money to produce. Britney
                  Spears is a prime example of the permeation of fame. She started as a
                  teenage singer with an innocent face but lyrics that made listeners ques-
                  tion that innocence. The juxtaposition made her rise to fame easy and
                  quick, and soon she was the subject of photographs, interviews, tabloid
                  exposés, coffeehouse chats, and the like. Radio, CDs, and music videos,
                  though they were the original media to increase her fame, were joined
                  by news outlets, films, Internet fan sites, and countless other sources.
                  Eventually, her profession as a singer became almost overshadowed
                  by her celebrity. Whom she was dating, where she was going—trivial
                  facts like these became more important than the talents that had made
                  her famous.
                    “Many seek fame because they believe it confers a reality that
                  they lack,” Braudy writes. “Unfortunately, when they become famous
                  themselves, they usually discover that their sense of unreality has only
                  increased” (p. 45).
                    Spears’s life became her fame, and perhaps Braudy’s assertion that
                  reality becomes muddled plays into Britney’s decision to turn her life


                                               129
   139   140   141   142   143   144   145   146   147   148   149