Page 195 - Aesthetic Formations Media, religion, and the Sense
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180               Maria José A. de Abreu

       mode” (Hardt and Negri 2001, 293). Furthermore, one of the key features
       of this type of economy via the affect is, according to these authors, its abil-
       ity to capitalize on the compression between means and ends of production.
       They also suggest that the reason why it works through the affect is because
       (like in Canção Nova’s self-referential economy) the means of production
       that mediate the act of manufacturing, have themselves been identified
       with the ends, and the message with the means. As a result, the state of
       global capitalism increasingly tends to perform the dispensation of means
       of mediation involved in the act of production. Products are becoming (like
       the body) ever more immaterial and lighter so that they can better interface
       with an increasingly fluctuating relational market, and at the same time,
       commoditize experience and events more than they accumulate (Massumi
       2003). Such fluctuations hold up, thanks to a new exploration of affect
       through internalized movement fostering transparency. So transparent, in
       fact, that they stick, becoming adherent. Adherence, to be sure, is a good
       term underpinning Canção Nova’s community—in devotion but also in
       that of being greasy, like a glutinous substance, so that it sticks fast, or the
       way lungs sometimes stick to the chest wall, during quiet breathing so that
       chest movements become coupled with the movements of the lungs.



                             Conclusion

       In this chapter, I have addressed the question of community from a bodily,
       material perspective. Rather than analyzing how a community uses media
       in order to instrumentally imagine itself, I have tried to identify the very
       “making of” mechanisms that allow the community to identify with the
       very materiality of the machinic. In other words, I have chosen to think of
       communication as a form of community processing. I have analyzed how
       the Pentecostal/Pauline notion of embodied pneuma provide Canção Nova
       with a kind of religious media theory, and explored how the latter becomes
       articulated with an economic regime of immediate transparency that is
       premised on the body’s aptitudes to perceive and regulate movement. Once

       perceived through the mechanics of breathing and circulation, there is no
       exterior position from which the community can be clearly defined. What
       matters instead are the cycles and reciprocations between in and out and
       the need to maintain the proprioceptive-like balance between them.
         By focusing on the parable of Pentecost, Padre Jonas targeted different
       things at the same time. On the one hand, he managed to go beyond
       Liberation Theology’s militant ideology. On the other, he surpassed
       Father Dougherty’s recalcitrance to apply marketing methods to Catholic
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