Page 120 - Alternative Europe Eurotrash and Exploitation Cinema Since 1945
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C H A P T E R  8
                                      M A S O C H I S T I C  C I N E S E X U A L I T Y :  T H E  M A N Y  D E A T H S  O F
                                      GIOVANNI  L O M B A R D O  R A D I C E

                                      Patricia  MacCormack







                                     Giovanni Lombardo Radice is an  Italian actor who appeared in  many low-budget Italian horror films
                                     from  1980 to the early  1990s. To English-speaking audiences he is more familiar as 'John Morghen'.
                                     Far  from  being  typecast  as  villain  or  victim,  Radices  characters  in  these  films  ranged  from  the
                                     imbecille to the ecclesiastic. He began his  film  career in Ruggero Deodato's La Casa Sperduta nel Parco
                                     (The  House  at  the  Edge  of  the  Park,  1980),  playing  a  mildly  retarded  outsider  assisting  David  Hess'
                                     brutal  Alex  in  tormenting  and  torturing  Italian  bourgeois  youths.  He  appears  in  the  films  of many
                                     Italian  horror  greats  -  as  the  coke-snorting  sadistic  Mike  in  Umberto  Lenzi's  Cannibal Ferox  (1980)
                                     and  the  crazed  but  sympathetic  cannibal  Vietnam  vet  Charles  Bukowski  (!)  in  Antonio  Margheriti's
                                     Apocalypse Domani (CannibalApocalypse,  1980).  He  is  a village  idiot scapegoat in  Sergio  Martino's //
                                     Mistero Degli Etruschi  (Murders  in  the Etruscan  Cemetery,  1982).  Radice  appears  in  the  first  three  of
                                     Michele Soavi's  films;  as gay ballet dancer Brett in Deliria (1986), as a priest in La Chiesa (The Church,
                                      1988)  and a suicidal cult member in La Setta  (The Sect,  1990).  He is what can only be described as














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