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C H A P T E R  2
                                      D E E P  I N S I D E  Q U E E N  K O N G :  A N A T O M Y  O F  A N  E X T R E M E L Y

                                      B A D  F I L M
                                      I.  Q.  Hunter







                                      INTRODUCTION:  THE  PLOT


                                      A  feminist  director,  Luce  Habit  (Rula  Lenska),  is  looking  for  a  male  lead  for  a  film  she  plans  to
                                      make  in  Africa.  Most  British  actors  being  too  effete  for  her  tastes  ('Men  are  frail  little  beings,
                                      helpless'),  she  settles  for  a  hippyish  drop-out,  Ray  Fay  (Robin  Askwith  of the  Confessions films).
                                      On  her  boat,  The Liberated Lady,  with  its  crew  of bikinied  starlets,  Luce  and  Ray  reach  the film's
                                      location,  Lazanga-Where-They-Do-The-Conga,  where a tribe of improbably interracial Amazons
                                      try to sacrifice Ray to  their god,  a 64-foot female gorilla called Queen  Kong.  Having fallen in love
                                      with  Ray,  Queen  Kong is subdued with gas  bombs  and transported to  London, where she  is put
                                      on public display and forced to wear bra and panties.  Outraged, she escapes with Ray, demolishes
                                      much  of tourist  London,  and ends  up  on  top  of Big  Ben.  Ray saves  her  from  the  military with  an
                                      impassioned speech declaring her a symbol of oppressed women everywhere. Women across Britain
                                      take to  the  streets  in the gorilla's  defence,  and she and  Ray are  returned safely to  Lazanga-Where-





















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