Page 640 - Battleground The Media Volume 1 and 2
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Index  |   1

                NewsCorp, 179; nonfiction programming,   Indiewood, 186; mainstream cinema vs.,
                178; Phillips and, 180; prior restraint, 174;   183–85; MPPC trust and, 187; nouvelle
                Proctor & Gamble, 177–78; product place-  vague, 187–88; practitioners, 184; time-
                ment (in films), 172; Project Censored,   line, 185–86
                180; Prosilac, 179; public interest, 172;   Independent film distributors, 100
                Reebok, 174–75; The Restaurant, 173;   Independent Media Center (Indymedia.org),
                retail outlets, 176–77; Risky Business, 172;   27, 154–56, 395
                Showtime, 174–75; spot advertising, 172;   Indian Diaspora, 56, 62; bhangra music,
                Staples, 173; suppression of information,   58–60; cultural citizenship, 59–61; media
                180; synergy, 175; task sponsors, 173;   and, 57–58; migration, 57; MTV-desi, 60;
                Telecommunications Act (1996), 177–78;   NRIs and, 58, 61. See also Bollywood
                Time Warner, 175–76, 180; Turner broad-  Indiewood, 186
                casting, 175; Viacom, 175, 177–78; Warner   Industrial design rights, 344
                Brothers record label, 175; Westinghouse,   Indymedia. See Independent Media Center
                175; Wilson and, 179              Influences on access, 120
                                                  Information society, 95
              I Don’t Wanna Wait, 175             Infotainment, 427, 482–83
              I Love Lucy, 285                    Innovation, 190–95. See also Imitation
              I Love New York, 113–15             Inoculation approach, 506–7
              I Remember Mama, 384                Intellectual property (IP): address, 197;
              IBM PC, 538                            author rights, 347; The Beatles, 347;
              IBrattleboro, 50                       Berne Convention, 343; BIRPI and, 343;
              ICANN. See Internet Corporation for    The Black Album, 347; commons, 346;
                Assigned Names and Numbers           Copyright Acts (1790, 1909, 1976), 343;
              IDVD, 532                              Copyright Term Extension Act (U.S.),
              If You Love This Planet, 359           343; copyrights, 345; Danger Mouse,
              “If it bleeds, it leads,” 478          347; defined, 342; DMCA and, 343;
              Ill Effects: The Media/Violence Debate   DRM and, 346; EUCD and, 343; global
                (Barker, Petley), 552                expansion, 348; The Grey Album, 347;
              Imitation, 190–91; The Amazing Race, 193;   industrial design rights, 344; Jay-Z, 347;
                American Idol, 192; The Bachelor, 193; The   Paris Convention for the Protection of
                Beatles, 193; Buffy the Vampire Slayer, 194;   Industrial Property, 343; piracy, 342,
                Cops, 192; cycle of, 192–93; Fargo, 194;   345–46; printing press, 347; public
                The Godfather, 193; history of, 193–94;   goods, 346; Sonny Bono Copyright Term
                Making the Band, 192; The Mole, 192;   Extension Act, 343; Statute of Anne, 343;
                pleasures of, 194; The Real World, 148,   theft, 342; timeline, 343; trade secrets, 344;
                192, 426–27; The Sopranos, 193; Survivor,   trademarks, 344; TRIPS and, 343, 348;
                192; The Who, 193. See also Innovation  2 Live Crew’s fair-use claim, 347; types,
              IMovie, 532                            344–45; The White Album, 347; WIPO
              ImpreMedia LLC, 265                    and, 343, 348; WTO and, 343
              Imus, Don, 125, 254, 257, 493–94    International news reporting, 328–333, 391;
              Imus in the Morning, 495               Barrett and, 332; cost, 332; criticism of,
              In the Year of the Pig, 356            330; ethnocentric perspectives, 329; free-
              Indecency, 305–8; ACLU and, 307; censor-  lancers, 330–31; North American Review,
                ship, 307; CIPA and, 307; Clear Channel   332; quality of coverage, 331; roving
                Communications, 306; Communications   reporters, 331; stringers, 330–31
                Decency Act (1996), 307; defined, 305–6;   International Press Institute (IPI), 214
                EFF and, 307; fines imposed for, 306;   International Telecommunications Union
                Jackson, J., 306; safe harbor provision,   (ITU), 94
                306; satellite radio, 306; Stern and, 306;   International Telephone and Telegraph
                Telecommunications Reform Act, 307;   (ITT), 99
                Timberlake and, 306; Viacom, 306.   Internet, 195–201, 251; access tiering, 199;
                See also Obscenity                   ARPA and, 196; Barlow and, 198; blogging,
              Indecision 2000, 296                   45–51; Brand and, 198; broadband access,
              Indecision 2004, 296                   122, 200; children, media and, 83; communi-
              Independence Day, 36                   cation rights, 121–22; Communications
              Independent cinema, 183–90; AIP and,   Decency Act, 198; content industries,
                187; art-house films, 187; Corman and,   199–200; CREN and, 197; cyberliberties,
                187; description, 184; final cut, 184;   201; cyberspace, 197–98; DARPA and, 196;
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