Page 195 - Encyclopedia Of World History Vol IV
P. 195

1496 berkshire encyclopedia of world history



                                                                A Chinese porcelain vase.







                                                                into their fertility, divination, and headhunting rituals;
                                                                they adopted Chinese “dragon jars” into lineages and
                                                                passed them down through generations, each seen to
                                                                possess a personality and embody supernatural power.
                                                                On the coast of East Africa and the littoral of North
                                                                Africa, porcelain adorned mosques and religious shrines.
                                                                  In Iran, Iraq, and Egypt in the eleventh century, potters
                                                                imitated gleaming white porcelain by applying a tin
                                                                glaze surface to their earthenware. Discontent with the
                                                                dull result, they used cobalt oxide pigment to paint blue
                                                                designs on the earthenware. By the fourteenth century,
                                                                under the influence of Muslim merchants in China and
                                                                Mongol rulers in Beijing, potters in Jingdezhen also
                                                                began producing vessels in blue and white, the ceramic
                                                                style destined to conquer the world, imprinting it with an
                                                                image of elegance and refinement.
                                                                  Rulers of Mughal India (1526–1857), Safavid Iran
                                                                (1501–1722/1736), Mamluk Egypt (1250–1517), and
                                                                Ottoman Turkey (c. 1300–1922) collected blue-and-
                                                                white porcelain, while potters in those kingdoms repli-
                                                                cated and transformed Chinese designs on their own
                                                                blue-and-white earthenware. When porcelain reached
                                                                the West in large quantities after 1600, the same thing
                                                                happened: The elite amassed blue-and-white porcelain,
                                                                and potters in Holland, Germany, France, and Italy cop-
                                                                ied the Chinese ceramics, combining their own tradi-
                                                                tional motifs with imaginative versions of Chinese pago-
            with China in the sixteenth century, Europe also became  das, Buddhist symbols, and urbane mandarins. At the
            a premier market for porcelain, with perhaps 250 million  same time, European princes, influenced by mercantilist
            pieces being imported by 1800. Jingdezhen used mass  doctrine, aimed to staunch the flow of silver bullion to
            production techniques to manufacture wares for wide-  Asia to pay for exotic commodities, including porcelain.
            ranging markets, with a single piece of porcelain passing  In the end, the race to find a formula for porcelain was
            through the hands of over seventy workers during its  won by Augustus II, although within a few years, abscond-
            manufacture and decoration. Other regions could not  ing artisans carried the secret to other manufactories.
            compete with the massive Chinese economy, nor could   Still, neither Meissen nor its great competitor, the
            their potters create vessels as lustrous as porcelain.  Sèvres manufactory outside Paris, could compete inter-
            Whether it was monochromatic whiteware in the Song  nationally with Chinese porcelain.That was the achieve-
            or blue-decorated pieces from the Yuan dynasty (1279–  ment of Josiah Wedgwood (1730–1795), the pottery
            1368), porcelain swept all before it. In Borneo and Java,  baron of Great Britain. He produced an innovative
            local ceramic traditions died out when huge quantities of  glazed earthenware, christened “creamware,” that was as
            porcelain were imported. Peoples in the hills of Sumatra  durable and thin as porcelain. Equipping his manufac-
            and the islands of the Philippines incorporated porcelain  tory with steam power and employing mass production
   190   191   192   193   194   195   196   197   198   199   200