Page 160 - Encyclopedia Of World History Vol V
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viking society 1937












            Religion                                            assortment of stories dealing with creation, the exploits of
            Viking warriors had a particularly strong religious attach-  their gods, and the culmination of history.Two thirteenth-
            ment to the Norse god Odin, known popularly as the  century sources provide the context and background nec-
            “Father ofVictories.”Those warriors who lost their lives in  essary for understanding these stories.Together they open
            battle expected to be ushered by divine escorts, the  a window onto the world of Norse imagination.The first
            Valkyries,toValhalla,Odin’s palatial hall in the divine land  is Saxo Grammaticus’s History of the Danes (c. 1215 CE),
            of Asgard. Here they would feast and continue to train for  written from a distinctly Christian perspective.The second
            the ultimate battle,called“Ragnarok,” in which the entirety  is the Prose Edda (c. 1220 CE), written by Snorri Sturlson,
            of the cosmos along with its divine and human inhabitants  an Icelandic poet. Viking achievements in the utilitarian
            would be destroyed.This final cataclysm would lead to the  and decorative arts were also significant.The former cate-
            generation of a new universe,which would be repopulated  gory included their manufacture and embellishment of
            by a remnant of gods and humans. Odin was considered  weaponry (e.g., ships, swords, axes, and shields), utensils
            the patron of war, poetry, and the futhark—the runic  (e.g., vessels for drinking), and musical instruments. The
            alphabet. Norse myth records that he obtained the runes  latter category included jewelry such as pins, necklaces,
            (characters of the alphabet) after being hung upside down  and bracelets. Wood, textiles, stone, and metal were the
            on yggdrasil—the “world tree”—for nine days.        preferred artistic media.
              The Norse pantheon consisted of two divine families:  The Vikings left an indelible mark on Western civiliza-
            the Aesir and the Vanir. The former was made up of the  tion. Through three centuries of sustained military and
            gods living in Asgard. In addition to Odin, these gods  mercantile endeavors, they played a significant role in the
            included Thor, god of thunder and wielder of the divine  diffusion of Norse culture throughout Europe. This cul-
            hammer Mjollnir; Loki, the divine trickster; and Heim-  tural legacy continues to flourish; some of its ancient lore
            dall, guardian of Bifrost, the bridge leading to the celes-  and rituals having been reclaimed today by religious seek-
            tial abode of the Aesir.TheVanir lived in the sacred land  ers who use it to fashion neopagan spiritualities. Other
            of Vanaheim and consisted of deities closely associated  elements native to it have long been part of popular
            with the world of nature. The most important of these  Christian practice (e.g., the Christmas tree, which may be
            were Njord, god of wind and sea; Freyja, goddess of love  a cultural reflex of the Norse  yggdrasil). Deep reso-
            and fertility; and Freyr, twin brother of Freyja and god of  nances between Norse eschatological (relating to the
            sun and rain. In general, theVikings believed themselves  final events in the history of the world) conceptions and
            to inhabit a world suffused with the numinous (super-  those of both Christian theology and scientific cosmology
            natural) and to be intimately linked with an assortment of  (a branch of metaphysics that deals with the nature of the
            spiritual entities. With the embrace of Christianity, this  universe) promise to make Viking society a source of fas-
            older stratum of belief would not be eclipsed. It would live  cination in the twenty-first century as research into global
            on in the popular imagination and the development of  conceptions of cosmic and human origins continues.
            syncretistic (relating to the combination of different forms
                                                                                                  Hugh R. Page, Jr.
            of belief or practice) traditions in religion and the arts.

            Mythology
                                                                                    Further Reading
            The peoples of northern Europe had a fondness for poetry
                                                                Allan,T. (2004). Vikings. New York: Barnes and Noble Books.
            and an appreciation for its evocative power. Poetry was a  Campbell, G., Batey, C., Clarke, H., Page, R. I., & Price, N. S. (Eds.).
            particularly effective vehicle for preserving and passing on  (1994). Cultural atlas of the Viking world. Abingdon, UK: Andromeda
                                                                  Oxford.
            their myths,epics,and legends.The mythology that helped
                                                                Time-Life Books. (1998). What life was like when longships sailed.
            to shape the social world of the Vikings contained a rich  Alexandria,VA: Author.
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