Page 30 - Communication Processes Volume 3 Communication Culture and Confrontation
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Introduction  5

                  magnetic pole of the cultural field which other cultures may oppose
                  or seek to disentangle themselves from, but which they cannot
                  evade entirely. (Bennett et al. 1986: 18)
                  By the same token, the members of subordinate classes never
                  encounter or are oppressed by a dominant ideology in some pure
                  or class essentialist form; bourgeois ideology is encountered only
                  in the compromised forms it must take in order to provide some
                  accommodation for opposing class values. (ibid.: xv)

                  The binary partition is grounded in the highly problematic sub-
                stantive entity of the ‘people’ as a unitary form or a specific historical
                formation nurturing a definite socio-political aim. It fails for this reason
                to perceive how and why the ‘people’ may break down into a bundle
                of heterogeneous forms, let alone opposite practices. The ‘popular’ is
                the outcome and not the source of a number of clashing interests. It
                appears in history as a highly disparate cultural idiom because it is
                brought about by antagonistic historical socio-cultural forces (Martín-
                Barbero 1993: 5–147). Thus, an approach sometimes referred to as a
                neo-Gramscian hegemony theory considers

                  [P]opular culture as a site of struggle between the forces of resistance
                  of subordinate groups in society, and the forces of incorporation of
                  dominant groups in society. Popular culture in this usage is not the
                  imposed culture of the mass culture theorists, nor is it an emerging
                  from below spontaneously oppositional culture …. Rather it is a ter-
                  rain of exchange between the two; a terrain marked by resistance
                  and incorporation. (Storey 1993: 13)

                The turn to Gramsci and the benefits of the theory of hegemony for the
                study of popular culture is prompted by Gramsci’s radicalism within
                traditional Marxism, which lies in his resistance to an orthodox class-
                based formulation and view of ideology (Turner 1990: 211–25). Gramsci
                departs from Marxist tradition

                  [I]n arguing that the cultural and ideological relations between
                  ruling and subordinate classes in capitalist societies consist less in
                  the domination of the latter by the former than in the struggle for
                  hegemony—that is, for moral, cultural, intellectual and, thereby,
                  political leadership over the whole of the society—between the
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