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                    88  COMMUNICA TION THEORY
                    aspects of the commodification of communication. This manifests itself in
                    four ways: (1) as technologies of urbanization, (2) as technologies of mobile
                    privatization, (3) by enabling forms of the extension of social relation-
                    ships, and (4) as agents of interrelated economic processes. When these
                    continuities are recognized, many of the social and political claims of the
                    second media age perspective are shaken.


                    Communication and urbanization

                    Both broadcast and interactive forms of communication structure, and are
                    structured by, one common operation – the partitioning of a mass into
                    atomized units. In this a number of observations of the second media age
                    theorists about the first media age are most noteworthy. What they
                    describe as the first media age is charged with the characteristic of inter-
                    pellation and individuation.
                        Adorno and Horkheimer (1993) were among the first to provide an
                    insightful description of this effect of media in their discussion of the ‘cul-
                    ture industry’. For them, the culture industry corrodes the horizontal net-
                    works of associations which make up urban self-formation, channelling
                    populations into individual units, who, once isolated, must reconnect
                    through what vertical means is offered to them via the mass media. ‘City
                    housing projects designed to perpetuate the individual as a supposedly
                    independent unit in a small hygienic dwelling make him all the more sub-
                    servient to his adversary’ (30), which for Adorno and Horkheimer is the
                    power of capitalism to remove individuals from networked means of
                    cultural production.
                        For them this process is circular: the more individuals become reliant
                    on media, the less they are dependent on horizontal networks. The more
                    abandoned are these networks, the more mass media become their only
                    source of cultural production. Thus, the entire edifice of mass media
                    becomes an environment of what has more recently been called ‘path
                    dependence’. In turn, the need for people to form local attachments to
                    place is removed, as place is redefined as anywhere within a common
                    mediascape. The ‘need’ for everyone to stake out their own self-enclosed
                    unit, preferably on a greenfield site on the fringes of suburban expansion,
                    rather than adjacent to dwindling inner-urban horizontal networks, is a
                    frontier expression of media-driven urbanization.
                        However, this kind of urbanization is usually explained, first, in terms
                    of redefining individuals as consumers and, secondly, by assigning them
                    ‘identical needs, in innumerable places to be satisfied with identical goods’.
                    The organizers of media industries declare such a culture system to be
                    ‘based in the first place on consumer’s needs, and for that reason ... the
                    technical contrast between the few production centres and the large number
                    of widely dispersed consumption points ... [is, they claim] accepted with so
                    little resistance’ (Adorno and Horkheimer, 1993: 31).
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