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                    144  COMMUNICA TION THEORY
                    ‘plastic in its interactive possibilities: A typical personal computer might
                    have  e-mail, Web chat,  RealAudio, word-processing and a news ticker
                    functioning at the same time’ (57) where users may vary their attitude in
                    how they construct their own media environment.
                        There are two problems here. Firstly, the sense in which McLuhan
                    suggests that users become the content does not permit the agency of
                    manipulators or of agents who have an attitude to the medium in which
                    they are immersed. Secondly, as Turkle and others have well shown, iden-
                    tity in virtual space is infinitely substitutable, and can itself be manipulated.




                    Reciprocity without interaction – broadcast

                    We have seen, with Thompson, the description of broadcast as a form of
                    mediated quasi-interaction. The concept of quasi-interaction Thompson
                    adapts from Horton and Wohl’s concept of ‘para-social interaction’ (Horton
                    and Wohl, 1956). In an article written in the mid-1950s, when the meta-
                    psychology of media consumption had barely been analysed, Horton and
                    Wohl explore the idea of intimacy at a distance, and the way in which
                    audiences identify with performers as face-to-face events. ‘The new mass
                    media are obviously distinguished by their ability to confront a member
                    of the audience with an apparently intimate, face-to-face association with
                    a performer’ (228). This intimacy, however, is not necessarily governed by
                    a ‘sense of obligation, effort, or responsibility on the part of the spectator,
                    and indeed lies in a lack of effective reciprocity. ... The interaction, char-
                    acteristically, is one-sided, nondialectical, controlled by the performer, and
                    not susceptible of mutual development’ (215). Similarly, in Thompson’s
                    typology, the mediated quasi-interaction of books, newspapers, radio and
                    television does not have ‘the degree of reciprocity’ or ‘personal specificity
                    of other forms of interaction’ (Thompson, 1995: 84). Nevertheless, it estab-
                    lishes a structured ‘social situation’ of symbolic exchange in which audi-
                    ences are able to ‘form bonds of friendship, affection or loyalty’. In other
                    words, because it is monological, it lacks mutual interaction but enables
                    strong forms of identification which carry a form of reciprocity.
                        This latter function of mass broadcast media has been emphasized by
                    the systems theorist Niklas Luhmann. In Luhmann, all forms of commu-
                    nication contribute to the construction of reality, but mass media are pecu-
                    liar in producing a continual ‘self-description of society and its cognitive
                    world horizons’ (Luhmann, 2000: 103).
                        As with Thompson, mass media are characterized by widespread
                    dissemination, and ‘anonymous and thus unpredictable uptake’ (Luhmann,
                    2000: 103). This leads to a paradox: ‘the reproduction of non-transparency
                    in transparency’. Mass media are self-referential; they may not  actually
                    reflect a reality outside themselves. However, what is transparent is that
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