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                                                      Introduction – A Second Media Age?  17
                      Integration and ritual models, on the other hand, look to the kind of
                  background communicative connections which provide the hierarchy of
                  agoras of potential assembly, be these public, institutional or virtual, which
                  are independent of individual communicative acts. The crucial point here
                  is this independence. It is necessary to understand how, even when we are
                  not watching television or listening to the radio, the broadcast communi-
                  cation environment still frames our individual lives. We can experience the
                  telephone as though it is an extension of the face-to-face, or, conversely, we
                  engage in the concrete act of face-to-face communication and yet we are
                  somehow ‘away’ on the telephone or the Internet, only kind of half-present
                  because, really, it is extended forms of communication that are mediating
                  even how we experience the face-to-face. This latter thesis, that the domi-
                  nant background connections or mediums by which a given group of indi-
                  viduals are socially integrated come to mediate other levels of interaction,
                  is one persistently explored throughout this volume.
                      In working through this argument, the pertinence of distinguishing
                  between a first and second media age is appraised, and alternative models
                  of understanding how broadcast media and interactive network media are
                  related to each other and to social reproduction will also be presented.



                  Notes


                  1  This is why Schwoch and White are concerned with ‘an analysis of the pedagogy of tech-
                    nological determinism in American culture’ (101).
                  2  The process of learning the electronic life and the importance of the everyday is a matter
                    to which I will return in the final chapter on telecommunity.
                  3  This claim is made for both traditional ‘images’ (see Gitlin, 2002) and New Media (see
                    Postman, 1993; Virilio, 2000). The idea of a ‘saturated self’ is also central to this (see
                    Gergen, 1991).
                  4  See the innovative article by Karin Knorr-Cetina, ‘The Society with Objects: Social
                    Relations in Postsocial Knowledge Societies’ (1997). Knorr-Cetina puts forward an ‘end
                    of the social’ thesis in referring to the process of ‘objectualization’ in which increasingly
                    ‘objects displace human beings as relationship partners, and embedding environments,
                    or that they increasingly mediate human relationships, making the latter dependent on
                    the former. “Objectualization” is the term I propose to capture this situation’ (1).
                  5  In information societies, the intensity of kinship relations and face-to-face relations has
                    declined in a number of ways. Families are getting smaller and more people live alone.
                    But even the nuclear family, as in the case of Schwoch and White, is increasingly charac-
                    terized by technological mediation, if not technological constitution.
                  6  Throughout this book, the term ‘the Internet’ refers to the ‘network of networks’ which
                    has been globally standardized since 1991. Although many other CMC systems which
                    facilitate Internet Relay Chat, email, newsgroups, bulletin board systems, MUDs and
                    MOOs may not be, strictly speaking, part of the Internet, as Wellman and Gulia (1999:
                    189 n. 3) point out, they are rapidly becoming connected to it.
                  7  Some of the papers produced by the Centre for Contemporary Cultural Studies, such as
                    Stuart Hall’s influential essay ‘Encoding/Decoding’ (Hall, 1980), took as their departure
                    point a critique of the process model. Hall, in a later interview, explains that he first gave
                    the paper at Leicester University, where the communications programme was particularly
                    dominated by process pedagogy (Hall et al., 1994: 253).
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