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INTRODUCTION 19

            their form, content and readerships becomes more pronounced. In the
            American context, John M.Phelan (Chapter 3) demonstrates how
            marketing logic shapes  the strategies of  TV journalism, including
            public-service and community campaigns, which were heralded as an
            effort genuinely to serve the public. In the West German setting, Vincent
            Porter and Suzanne Hasselbach (Chapter 4) chart the  political  and
            economic forces which have shaped the regulation of broadcasting and
            the consequences for television as a citizen resource.
              In the second part, on Politics and Journalism,  Todd Gitlin
            (Chapter 5) looks at recent developments  on US network  election
            campaign coverage and considers the implications of the increasingly
            sophisticated news-management strategies. For Gitlin, the US media are
            inviting its audiences  to  join in  a celebration of  their powerlessness.
            Looking at the Italian situation, Paolo Mancini (Chapter 6) argues that
            the media do not empower citizens to participate in the public sphere.
            Rather, they provide a mechanism for elites to speak to each other and
            conduct  their  own closed  debates about the future  of society. In  the
            profoundly  different Polish context, Karol Jakubowicz (Chapter 7)
            discusses the rise of two alternative public  spheres which came  to
            challenge the official one dominated by the state and party. One of the
            alternatives was dominated by the  Church, the  other associated  with
            Solidarity. He focuses on the struggle for legitimacy between the three.
            Turning to the  audiences, Ann Crigler  and Klaus Bruhn  Jensen
            (Chapter 8) compare how, in the USA and Denmark, the content of the
            media itself is  responsible for the ways in  which citizens  actually
            constitute the concerns and ideas  which make up the  public sphere.
            They  do this by actively  imposing  thematic structures on the  news
            stories they encounter.
              The third part of the book, Journalistic Practices, begins with an essay
            by Michael  Gurevitch, Mark  R.Levy and Itzhak Roeh on the
            internationalization of TV news (Chapter 9). They look at both the
            topics covered in different countries as  well as the  meanings which
            national cultures mobilize to frame these topics. As the subtitle of their
            essay suggests, both convergence and diversities are at work. Liesbet
            van Zoonen’s  article (Chapter 10) considers the fact that Dutch TV
            news is  now predominantly  presented by female  newscasters. In
            assessing the feminist critiques of the public sphere she finds that this
            development in Dutch television news does not necessarily constitute a
            step beyond the patriarchal order. Ian Connell (Chapter 11) closes the
            volume by examining how  the popular press and television
            entertainment intersect and overlap, constituting a form of mythic image
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