Page 105 - Composition in Convergence The Impact of New Media On
P. 105

74           CHAPTER 3

        which confound traditional understandings of writing  assessment
        as being a singular, individual effort that measures a singular  stu-
        dent's achievement.
           Earlier in the book I raised two  questions that can now be ad-
        dressed in this chapter: Can writing faculty evaluate written  work
        that is completely owned by the students, particularly on a large-
        scale or a departmental setting, especially if an entire class devel-
        ops into its own literate  community  and so understands  the  lan-
        guage,   the  contexts  and  texts,  and  the  adaptability  of  the
        discourse to communicate with others? Or is the culture of Com-
        position such that student writing will never be fully owned by its
        writers  and  will  always  have,  to  varying  degrees,  the  teacher
        overriding or overwriting the final submission? To this, let me add
        a third question to be answered later in this chapter: Can techno-
        logical  convergence  transform  writing  assessment  into  a  more
        humane   process?

           CAN STUDENTS EVER      FULLY CLAIM OWNERSHIP OF      THEIR
         WRITTEN WORK IN NETWORKED CLASSROOM ENVIRONMENTS?

        Convergence brings us  new  sets of techniques, knowledge,  motiva-
        tions to write, and skills that reflect multiple literacies that cut across
        lines of race, class, gender, and  physical ability. The merging of these
        two  technologies requires instructors  to present writing  differently
        and to evaluate it in some other way. Through  technological  conver-
        gence, language becomes a tool for both a writer's entertainment and
        her information.  Lecturing is nearly  eliminated, and  students  work
        collaboratively or independently on inquiry-based  or problem-solv-
        ing tasks. As such, college composition is simply no longer a process
        leading to a product; instead, writing becomes central to a communi-
        cation  system—a network   filled  with  information, verbal play,  re-
        sources, and discursive exchanges with others. Student writers  come
        to  see themselves as  "information  creators"  (Wickliff,  in  Yancey &
        Weiser, 1997, p. 328) who use various literacies to solve very  specific,
        pragmatic communication problems. Moreover, as the United States
        District  Court in  Lincoln,  Nebraska, decided  in  1998,  students  who
        write in networked spaces are published authors,  because the web is
        considered a legal publication forum.
           These points not only change the well-documented  accounts of al-
        tering the classroom dynamic found in most articles about  comput-
   100   101   102   103   104   105   106   107   108   109   110