Page 100 - Composition in Convergence The Impact of New Media On
P. 100

WHO OWNS THE WORDS?           69

        greater control over their writing can also frustrate many aspects of
        typical writing  assessment practices. In these instances,  alternative
        assessment possibilities must be in place. One such possibility  might
        be for instructors to section off some private space in an online class-
        room—perhaps a folder   or location within the virtual class—that is
        password protected and only the faculty member and those students
        who wish to keep their work separate have access to the space. A sec-
        ond  prospective idea could be to  have  these students  upload  their
        work directly to the instructor's  private working  space on the cam-
        pus  network  for  evaluation  (this is only  workable  for  institutions
        that provide faculty with their own area on the campus system). An-
        other viable method is to separate assignments into uploadable and
        nonuploadable   categories,  with  the  explicit  understanding  that
        uploadable assignments  are for public display and  response. Other
        workable  solutions  exist,  depending on  the  local conditions at  the
        college or university, and composition specialists need to plan ahead
        for  students who may wish to exert their control over the work they
        produce in an internetworked  writing  class.
           Students  who  actively pursue  their authority and their intellec-
        tual property rights  have never been a concern in more  traditional
        assessment  settings.  Historically, writing  assessment impedes  stu-
        dent agency—although, in more recent movements, like the portfo-
        lio system, evaluation  now grants more student agency than in the
        past. Yet even this  move toward  more student-centered assessment
        in the portfolio does not accommodate resistant students who  refuse
        to provide their instructors with a final portfolio or who offer  up an
        incomplete portfolio. In standard writing  assessment procedures, a
        student's  lack  of a final  portfolio to  grade or  submission of an  in-
        complete  portfolio  is  treated  usually  as  a  failing  contribution. To
        pass a class or to  fulfill  barrier requirements, students  are expected
        to complete the final assessment procedure in a multiple-choice, es-
        say, or portfolio form. Intellectual property  concerns are not  an is-
        sue  here,  nor  is student  authority  over  the  writing.  Students  are
        expected to do what they  are told regarding assessment or  face  the
        consequences.  If a  student  does not  want  completed electronic as-
        signments made public and no other outlet is made available for re-
        view other than web publication, what then? Does the student  fail?
        Receive a grade drop? To date, with the University of Nebraska-Lin-
        coln case, the courts have sided with the student's right to privacy in
        resisting  publication  of  her  work  on  the  Internet,  even  for  class
   95   96   97   98   99   100   101   102   103   104   105