Page 39 - Composition in Convergence The Impact of New Media On
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8           CHAPTER 1

        asynchronously we do not know how the writer looks. Most likely, we
        do not want to know this information. We certainly do not know who
        our  audience is or what  the  members look  like when  we  correspond
        with others  on discussion lists or at gaming sites.
           However,  instructors  know that  when  students  are  sending  us
        e-mail in the wee hours, they are writing  and thinking long after the
        day's  class is over. When  students  send their  instructors  postings
        about something that occurs related to a class that was taken a year
        or two ago (or more) and resonated with the student's  experience in
        the class, then teachers  know that writing, thinking, and reflecting
        remain part of that student's  learning process.

         NEW MEDIA/NEW RISKS FOR     WRITERS AND THEIR INSTRUCTORS


        As mentioned in the last section, instead of the corporeal aspects of
        writing  in the  classroom  (the physical acts  of letter formation  or
        putting pen to paper, for instance), the mental features of commu-
        nicating  with others  becomes highlighted  when  we shift to  com-
        puters.  For certain student  populations  in our  writing  classes, the
        celebration of the mental process over the body in composing is an
        important  shift. As Leigh Kobert, one of my graduate students  who
        also worked in the medical publishing  field, pointed out in a post to
        our  class  list  in  Writing  for  Electronic Communities,  a  graduate
        writing  class I teach,  in the  spring  1999 semester,


             One  of  the  early  readings  described  "disembodied  voices  and
             decontextualized points of view."  However,  I can  think of a  context in
             which this disconnection is very welcome. As I believe I have said I work
             with people with physical and  learning disabilities. Some of the people I
             talk to struggle just to get out a sentence. Rheingold touches on the
             factor of people with disabilities, i.e., CMC [Computer Mediated Com-
             munication] allows the to be treated as they have always wanted to be
             "as thinkers and  transmitters of ideas and  feeling  beings." It must  be
             incredibly freeing to experience a medium for once without the disabil-
             ity  being  the  first  thing  that  everyone  is aware  of. There  is at  last  a
             chance  to  be  judged  outside  the  vessel  of  a  limited  body  or
             speech/hearing disabilities.
           Leigh described an appealing situation for many reticent students,
        especially for those with medical or physical conditions that hamper
        face-to-face  (F2F) communication.  The celebration of the mind over
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