Page 171 - Composition in Convergence The Impact of the New Media on Writing Assessment
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138           CHAPTER 5

        dents. Student evaluation works when it is immediate, when it is di-
        rected  at  the work,  and when  students  have  a  chance to  revise to
        make their work stronger.  This rediscovery  helped me to center  my
        efforts  to meet those  aims.
           Teaching  in  Room  25  showed  me that inclusive,  effective  assess-
        ment  requires instructors  to  take  risks  with  their  authority,  with
        their time, and with their students. Effective assessment in electronic
        environments also asks instructors  to undertake new courses of ac-
        tion to respond to networked writing  and the corresponding  e-texts
        that come out of the course work. My grading hand rests even more
        easily on the mouse pad now; I am not so quick to overwrite  or over-
        ride students'  ideas as I was  a few years ago. Although  I still inter-
        vene sometimes when a student asks for specific technical advice, my
        approach  to teaching  writing  now comes through questioning  and
        observing patterns that relate to the interaction between a  student's
        visual and verbal rhetoric rather than through  overt correction and
        rewriting of documents. And, even better, my grading hand does not
        want  to  overwrite  web  sites or  other  hypertext  documents. These
        days, my comments are sent by e-mail directly to the student, or if
        we are in class, I am sitting  next to the student  discussing her  work
        and she manipulates the mouse to make the changes she wants.
           Relearning assessment from my experiences in Room 25 has made
        me more aware   of what  some students  undergo in the  evaluation
        process. The heat generated by traditional  writing  assessment prac-
        tices  is  sometimes  more  than what  these  students  can  stand. For
        some students,  the  heat is so intense, it shuts  down  their  ability  to
        write  anything,  anywhere,  at  any  time,  and  in any  medium. The
        computer's  coolness takes  some of the  heat  away  for  certain  stu-
        dents. In the process of ludic writing,  the act of composing becomes
        play and it makes writing  less stressful  in short  bursts.
           Still, it is not always  easy to show people how melding these two
        technologies can be an  exciting pedagogical opportunity.  The pros-
        pects seem particularly small when there are limitations  or inconve-
        niences  attached  to  the  technologies  (e.g.,  system  problems,
        software  glitches, the  lack of an  established or  normed  evaluation
        rubric, etc.) or when a group  is wedded to a particular  communica-
        tion  domain,  such  as  print  documentation.  Layer  these  moments
        with  striving  to  find  compatible  assessment  procedures  to  mesh
        with  networked  writing  beyond  the  superficial  models  offered  by
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