Page 54 - Confronting Race Women and Indians on the Frontier, 1815 - 1915
P. 54

CHAPTER  O  N  E


           horse.  Cody  also  made  a point of  setting  up  a separate  camp  for  Indian
           performers and, at the end of shows, inviting audience members to stroll
           around, talk  with  Indians, and  view  "Indian  life." 1 2  6
               Indian  reformers  opposed  Cody  mightily. Although  they  stopped
           him  from  displaying  the  scalp  and  headdress, they  never  won  their
           campaign  against  the  use  of  "show "  Indians. They  maintained  that
           Cody  and  other W  i ld West  entrepreneurs  represented  Indian  men  as
           savage  warriors  and  women  as  passive  yet  cruel  squaws,  destroying  the
           Indian  Bureau's  work  in  turning  Indian  men  and  women  into produc­
           tive  and  "civilized"  people.  Reformers  especially  feared  that  viewers
           would  believe  Cody's  claims  that  his W  i ld West  presented  Indians  as
           realistic  rather  than  recognizing  them  as  actors  who  not  only  never
           died,  but  sold  souvenirs  and  programs  after  shows.  Reformers  even
           criticized  the  establishment  of  an  Indian  village  on  every  show  lot,
           saying  that  these  villages  gave  white  visitors  inaccurate  impressions  of
           Indian  life.  1 2  7
               Cody  recognized,  however,  that  people  wanted  Indian  attacks  on
           wagon  trains,  burning  cabins,  and  scalping,  and  Cody  the  businessper­
           son  had to  keep  his eye  on the  bottom  line. Thus  were Anglo  girls  and
           women  treated  to  vivid  but  inaccurate  characterizations  of  the  native
           peoples they  would meet in the West. Many  an impressionable little girl
           carried  into  adulthood  her  memories  of  tomahawks  and  scalp  locks,
           expecting  on  her  trip  west to see  them  at any  moment.
               In  other  words,  white  people  created  the  simplistic  category  of
           "Indian."  In  a  monumental  act  of  cultural  appropriation,  whites  took
           such images as the  warrior, the  Indian pony, and the buffalo and shaped
           them  to  fit  whites'  ideas  of  the  Indian  "other." During  the  late  nine­
           teenth  and  early  twentieth  centuries,  white  women  who  wanted  to
           "help" Indian women gain self-sufficiency through their crafts also com­
           mercialized in the white marketplace such Indian symbols as baskets and
           pots. Indians  who  were  not  allowed  to  be  politically  sovereign  were
                                          .  1 8
           stripped of their  cultural sovereignt y 2 Representing  Indians and their
           world had  been subsumed by  whites. As  the  O j ibway  Lenore Keeshig­
           T o bias  said  in  1990: '''Indian'  is  a  term  used  to  sell  things-souvenirs,
           cigars, cigarettes, gasoline, cars . . .. 'Indian' is a figment of the white man's
           imagination."  1 2  9
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