Page 180 - Consuming Media
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01Consuming Media  10/4/07  11:17 am  Page 167










                     At the beginning of this chapter, we cited Paul Ricoeur’s parallels between tempo-
                   rality and spatiality, where spatial localization within the dialectic of lived, geomet-
                   rical and inhabited space corresponded to temporal dating within the similar dialectic
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                   of lived, cosmic and historical time. Our informants’ media practices offered many
                   examples of these dialectics, as they used media to locate themselves in the world and
                   simultaneously to interpret the particular moment of the present, in relation to a past
                   somewhere else and a possible future where elements from different places could be
                   combined and inhabited in new ways.
                     In the spatial dimension, this is often depicted as a dialectical process between
                   space, on the one hand, and place on the other, where space is conceptualized as
                   abstract geometric coordinates in constant tension with concrete, meaningful local-
                   ities. Doreen Massey criticizes this ‘persistent counterposition of space and place’, as
                   the abstract vs. the concrete, and frequently linked to ‘a parallel counterposition
                   between global and local’. ‘The couplets local/global and place/space do not map on
                   to that of concrete/abstract.’ 52  Ricoeur’s model avoids this fallacy by specifying
                   different levels of spatiality, parallel to the corresponding levels of temporality. It is
                   important to avoid projecting the dialectics of abstract structure and concrete agency
                   onto the interplay between space and time in general. Instead, as we have shown, a
                   dialectics of abstract, subjective and intersubjective develops within each of these
                   dimensions.
                     Massey recognizes space, first, as ‘the product of interrelations’, from the global
                   to the minute as always ‘constituted through interactions’; second, as the sphere of
                   ‘multiplicity in the sense of contemporaneous plurality’ where ‘distinct trajectories
                   coexist’ and thus of ‘coexisting heterogeneity’; and, third, ‘as always under construc-
                   tion’, i.e. as ‘a simultaneity of stories-so-far’. For Massey, space ‘is no more than the
                   sum of our relations and interconnections, and the lack of them; it too is utterly
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                   “concrete”’. This is an excellent corrective to the one-sided negative view of space
                   as an abstract and restricting structure. If time is a dimension of change, it is indeed
                   important to understand that space is a dimension of coexisting multiplicities.
                   However, it is difficult to ascribe any particular characteristics to either dimension
                   in splendid isolation. The simultaneous multiple trajectories Massey speaks of can
                   hardly exist without their simultaneous combination, since trajectories presuppose
                   their mutual intersection. It serves little purpose to project any critical burden or
                   emancipatory hopes onto any of these basic dimensions as such, since one can never
                   exist without the other, and each should rather be understood to have a wide range
                   of aspects, from the abstract to the concrete, as well as from the restricting to the
                   liberating. If the thinkers who may be called the ‘temporalists’ tend to overestimate
                   the revolutionary role of time and reduce space to a confining geometric grid, then
                   the opposite ‘spatialist’ position makes an equally problematic reverse projection of
                   utopian values onto space. Here again, Ricoeur’s analysis avoids reducing the rich
                   complexity and ambiguity of both time and space, pointing instead to different ways
                   each of them may be used and understood, and how they are interlaced in social
                   practice.


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