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01Consuming Media  10/4/07  11:17 am  Page 61










                   Foucault when, in contradiction to these words, he then closes down his perspective to
                   interpret all power relations ‘in terms of the general form of war’. This might be useful
                   to balance a tradition for studying power in terms of contracts and rights, but it seems
                   more justifiable – and in line with Foucault’s own apparent intentions – to admit that
                   several levels and aspects of analysis may be needed, rather than again reducing power
                   relations to one single privileged form. And since all forms of resistance make use of the
                   power resources available to those who resist dominance, economic, political and
                   symbolic resistance can be related to the corresponding forms of power.
                     Consumers might for instance manifest their resistance to economic power by their
                   purchasing activities or by boycotts, and citizens might mobilize against political deci-
                   sions or symbolically respond to dominant media texts with refusal, oppositional read-
                   ings or alternative textual production. This also implies that different forms of power and
                   resistance intersect, like when economic dominance is met with political or symbolic
                   resistance. But in some instances the immanent relationship between power and resist-
                   ance might go even further. For example, resistance might conceal power demands or
                   even be combined with the exertion of power. As Paul Willis showed in Learning to
                   Labour, resistance along one dimension may sometimes contribute to consolidating and
                   reproducing existing structures of power in other dimensions, by the glorification of
                   certain aspects of subordinated social positions and the reproduction of limitations that
                   restricts the potential emancipation of the resisting act. 45  In Willis’s case, the working-
                   class lads’ resistance to the school’s middle-class values led to a triple reproduction of
                   prevalent power orders, combining a misogynic fear of women, a xenophobic repudia-
                   tion of immigrant ethnic groups and an anti-intellectual refusal of reflection.
                     Power and resistance flow through many kinds of social agencies, including insti-
                   tutions, communities and individual subjects. They are immanent in economic and
                   political, as well as social and cultural fields. Each such power/resistance instance may
                   be investigated in similar ways as media use, asking, who resists what, how, why and
                   with which results, i.e. analysing different agents, targets, means, causes/intentions
                                       46
                   and effects of resistance. To some extent, this is what we will do in our last chapter.
                     Communication and power are deeply imbued in one another, and there are
                   several attempts in media and cultural studies to understand their intersection. Based
                   on his model of encoding and decoding, Stuart Hall showed how power and resist-
                   ance operate in media use. He distinguished three hypothetical decoding positions: a
                   dominant-hegemonic, a negotiated and an oppositional one. 47  The sender has full
                   power over the receiver – and resistance is thus absent – when for example a televi-
                   sion viewer is operating inside the ‘dominant code’, faithfully reproducing the
                   meaning structures intentionally encoded by the media industrial producer.
                   Resistance manifests itself when audiences use either an openly ‘oppositional’ or a
                   more compromising ‘negotiated code’ to decode the meanings of the received media
                   messages. The interpretations of media messages may thus not coincide with the
                   intentions of those who produce them. In many forms of communication, including
                   the arts, this is the intended rule rather than a sign of failure or resistance. Still, Hall’s
                   reasoning is valid for many conventional forms of mass-media use.


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