Page 149 - Contemporary Cultural Theory
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POSTMODERNISM

            Puritan values progressively obsolescent, thereby unleashing an
            increasingly unrestrained modernism, the simultaneous product of
            Hobbesian individualism on the one hand, corporate capitalism on
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            the other.  The “postmodernism” of the 1960s—and this is the term
            Bell actually uses—finally subverts all restraints: “It is a programme
            to erase all boundaries, to obliterate any distinction between the self
            and the external world, between man and woman, subject and object,
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            mind and body”.  “In doctrine and cultural life-style,” he concludes,
            “the anti-bourgeois has won… The difficulty in the West…is that
            bourgeois society—which in its emphasis on individuality and the
            self gave rise to modernism—is itself culturally exhausted”. 31
              By and large, contemporary cultural criticism has found Lyotard’s
            celebration of the postmodern much more interesting than Bell’s
            indictment. But note their common origins in a specifically North
            American, rather than European, perception of the postmodern as at
            once uniquely contemporary and uniquely transgressive. Where Lyotard
            cries liberty and Bell finds licence, both mean transgression, in the
            sense of the continuous disturbance and subversion of pre-existing
            cultural norms. Which leads us to the proposition, first, that
            postmodernism is above all a culture of transgression; and secondly
            that, whatever the current fashion for French theory, this is a culture
            which remains peculiarly visible from a New World, extra-European
            vantage point. Lyotard’s various accounts of the postmodern are stories
            told by a Frenchman, it is true, but they are told in the first place to
            Canadians nonetheless. They are also, no doubt, in themselves grand
            narratives of dissolution, which bespeak a political and cultural history
            at once much richer and much more fraught than any endured to date
            by the European colonies of settlement in North America or Australasia.
            For Lyotard, modernity is quite specifically European, its transcendental
            illusion explicitly that of Hegel and Marx, its terror that of Stalin and
            Hitler. Doubtless, the settler colonies have had their own philosophers
            and their own terrors: yet theirs has been a different experience from
            the European, provincial in origin rather than metropolitan, often
            suburban rather than urban, civilizing rather than cultured, terrorizing
            rather than terrorized. This too is a postmodern condition, perhaps
            the paradigmatically postmodern condition which provides both Bell
            and Lyotard with their original empirical datum. It is one often named
            as “post-colonialism”, but better understood, I suspect, as “post-
            imperialism”.


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