Page 99 - Contemporary Cultural Theory
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STRUCTURALISM

            practices as such. But the real theoretical innovation here consists,
            first, in a new sense of this connectedness as necessarily internal to
            discourse; and secondly, in a growing awareness of the human body
            itself as the central object of control in such institutions as the modern
            prison, but also as the source of possible resistance to that control.
            This new recognition of the significance of human corporeality runs
            interestingly parallel to that of Barthes’s The Pleasure of the Text.
              For the later, but not the very late,  Foucault, power in modern
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            society has become essentially ubiquitous. Thus he speaks of its
            “capillary form of existence…the point where power reaches into the
            very grain of individuals, touches their bodies and inserts itself into
            their actions and attitudes, their discourses, learning processes and
            everyday lives”.  But this very ubiquity of power renders it open and
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            indeterminate: “it induces pleasure, forms knowledge, produces
            discourse. It needs to be considered as a productive network which
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            runs through the whole social body”.  There is, then, no single structure
            of power, but rather a play of powers. Foucault’s work is thus not an
            “objective” account of discourse, positioned outside it, but rather a
            strategic, or tactical, intervention into that play. The deeper affinity
            between Foucault and Derrida, despite their apparent mutual animosity,
            resides around this persistent scepticism vis à vis discourse, a scepticism
            which seeks to identify the possibilities within discourse which discourse
            itself seeks to repress. Both thus adopt an adversarial stance toward
            dominant discourse in their respective practice of what one might
            term disruptively immanent critique, the hallmark, I suspect, of a
            peculiarly post-structuralist politics of demystification. But this is
            demystification through relativization, rather than through the kind
            of absolutist scientism which underpinned classical structuralism; its
            central achievement and aspiration not the discovery of hidden truths,
            but of marginalized inconsistencies.
              For Derrida, and for the later Barthes and Foucault, knowledge is
            social, and its scientificity cannot therefore be guaranteed. This is no
            longer a problem, however, it is merely, pragmatically, the way things
            are. Perry Anderson describes the emergence of post-structuralism
            thus: “Structure therewith capsizes into its antithesis, and
            poststructuralism proper is born, or what can be defined as subjectivism
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            without a subject”.  This latter phrase strikes me as very suggestive
            of the way in which post-structuralism brings into play all the
            indeterminacy of phenomenological culturalisms, but without any


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