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                                      Contemporary Cultural Theory



                   Americas or Australasia, at any time during the last three decades
                   of the twentieth century, would have encountered transdis-
                   ciplinary ‘Theory’ of this kind. Whether appalled by its poverty,
                   like Thompson, or attracted to its glamour, like Terry Eagleton,
                   there is no doubting its cultural salience (Thompson, 1978;
                   Eagleton, 1996, pp. 191–2). Even Hoggart, as unlikely a theoreti-
                   cian as any, would admit that ‘one does not wish to undervalue
                   the importance of theory and the need for theoretic languages’
                   (Hoggart, 1995, p. 177). For our part, we concede to Hoggart that
                   theory ‘must not be made into a charm, or a prop; or a waffle-
                   iron to be banged on top of the material’ (p. 178); in short, it must
                   be about something. But we would want to insist that many of
                   the older disciplines Hoggart imagined as contributing to an
                   interdisciplinary cultural studies, and their attendant theories,
                   have in fact become increasingly irrelevant to contemporary
                   culture. To take the obvious example, the postmodern cultures
                   of the late twentieth and early twenty-first centuries are now so
                   thoroughly mediatised, commodified and relativised as to
                   demand very different modes of analysis from those Hoggart
                   learnt from English Literature. This is not to suggest that we are
                   now somehow able to move beyond ‘disciplinarity’. Quite the
                   contrary, this latest version of transdisciplinary Theory seems
                   likely to be a transitional form—like its predecessors—by which
                   older disciplines are recomposed into new ones more appro-
                   priate to a changed and changing culture. As Jameson himself
                   notes, contemporary Theory is already confronted by a renewed
                   impetus towards disciplinary re-differentiation: ‘philosophy
                   and its branches are back in force’ (Jameson, 1998, p. 94). We
                   might add that cultural studies itself is also increasingly subject
                   to calls for ‘disciplinisation’ (Bennett, 1998).


                   CULTURE AND SOCIETY: ANTI-UTILITARIANISM AND MODERNITY


                   What, then, is the occasion for these recurrent bouts of theoris-
                   ing? Discourses become self-consciously theoretical, which is
                   another way of saying that they become self-reflexive, as a general
                   rule only when their subject matters become in some significant

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