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ContCultural Theory Text Pages  4/4/03  1:42 PM  Page 29





                            Literature and society: from culturalism to cultural materialism



                     the period since the First World War, at least insofar as the general
                     intellectual culture is concerned, is almost certainly that occupied
                     by the poet T.S. Eliot. Eliot was born and brought up in the United
                     States and became English only by an act of conversion, which
                     came to embrace not only British naturalisation, but also High
                     Tory politics, High Anglican religion and High Royalist monar-
                     chism. A deeply learned man, greatly influenced by Hegelian
                     philosophy, his prose writings include a very serious attempt to
                     fashion a specifically Christian social theory. For Eliot, as for
                     Arnold, culture came to be understood in an essentially totalis-
                     tic and organicist fashion: thus a specifically ‘literary’ culture
                     evolves, not as the creation of an aggregate of individual writers,
                     but rather, in characteristically Hegelian fashion, as that of ‘the
                     mind of Europe... which abandons nothing en route’ (Eliot, 1963,
                     p. 16). Eliot’s most celebrated discussion of the concept of culture,
                     in his Notes Towards the Definition of Culture, draws on Arnold’s
                     insistence on the connectedness of the literary and the non-
                     literary, but expands upon it so as to develop a much more
                     contemporary, anthropological sense of the term. ‘By “culture”’,
                     Eliot writes, ‘I mean first of all... the way of life of a particular
                     people living together in one place. That culture is made visible
                     in their arts, in their social system, in their habits and customs,
                     in their religion’ (Eliot, 1962, p. 120).
                       A culture, in Eliot’s sense of the term, is only properly such
                     insofar as it is shared in by a whole people. But a common culture
                     is not, however, one in which all participate equally: it will be
                     consciously understood only by the cultural elites of the society,
                     but can nonetheless be embodied in the unconscious texture of
                     the everyday lives of the non-elite groups. In principle, culture
                     is not a minority resource to be disseminated through education,
                     but is rather already (more or less consciously) present in the lives
                     of all classes. But if this is so for a ‘healthy’ society, such as Eliot
                     imagined medieval Europe to have been, then it is much less so
                     for the increasingly non-Christian society conjured into being
                     largely by industrialisation. There is an important sense, then, in
                     which Eliot’s social theory becomes simply inoperable: if the good
                     society is one modelled as closely as possible on those of the
                     European Middle Ages, then in truth the good society is no longer

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