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                                      Contemporary Cultural Theory



                   What Leavis recognised, in a way that Arnold could not, was the
                   capacity for collective self-organisation latent within the intel-
                   lectual class. He failed, however, to confront its obvious likely
                   corollary: that the intelligentsia might prove as incapable of
                   Arnoldian ‘disinterestedness’ as the establishment itself. In that
                   failure is surely to be found the source of much of the bitterness
                   and rancour that so soured Leavis’ later years.



                   THE NEW LEFT: THOMPSON, HOGGART AND WILLIAMS

                   It should be clear that Leavis’ culturalism was both culturally
                   elitist and politically reactionary.  As such, it was unlikely to
                   appeal to those of a more egalitarian political persuasion. During
                   the 1950s the more independently minded left-wing British
                   intellectuals began to forge their own ‘third way’ both in practi-
                   cal politics and in cultural theory, between Leavisism on the one
                   hand and Marxian socialism on the other. The politics eventually
                   became that of the ‘New Left’; the theory became what would be
                   represented in structuralist restrospect as ‘culturalism’, but is
                   surely more accurately described as ‘left culturalism’. The
                   founding theoretical moment of left culturalism can be located
                   fairly precisely in the early writings of three key figures:
                   E.P. Thompson (1924–93), Richard Hoggart and Raymond
                   Williams (1921–88).


                   E.P. Thompson and Richard Hoggart
                   Something of what would become ‘left culturalism’ had first been
                   explored in Thompson’s first book (Thompson, 1955), which
                   discovered in William Morris much of the strength of the
                   earlier Romantic critique of utilitarianism. Thompson’s best-
                   known work, The Making of the English Working Class, would later
                   quite explicitly compare working-class and Romantic anti-
                   utilitarianism. The ‘heroic culture’ of the early English working
                   class, he argued, had ‘nourished, for fifty years, and with in-
                   comparable fortitude, the Liberty Tree’. ‘After William Blake’, he
                   concludes, ‘no mind was at home in both cultures, nor had the

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