Page 121 - Convergent Journalism an Introduction Writing and Producing Across Media
P. 121

Web Sources



                         Video organization and still organization are different. The field of
                      DV or “platypus” journalism is still in its infancy. How the field will
                      continue to evolve is still in question. One thing to consider is that the
                      current storytelling forms are different for video and still stories.
                         Look at how Sports Illustrated covers an event. With long lenses,
                      their photojournalists capture the feral look in the athlete’s eye as they
                      close in on the player’s sweat-drenched, tightly framed face. Compare
                      that to the way the television covers the same event. Most of the shots
                      are far wider. When was the last time you saw live television cover-
                      age of a game that showed those close moments that the SI audience
                      treasures? NFL films approach the intimate drama with their docu-
                      mentaries. They employ high-speed cameras and playback in slow
                      motion. They can intercut tight shots that don’t have a place in the
                      live coverage.
                         One thing is clear. The role of the picture editor will become ever
                      more important. More images mean more skill and work to organize
                      those images to tell stories. Still images or video images or whatever
                      might come next will require a strong hand to organize the photogra-
                      phers and a strong eye to organize the content.                                  111
                         Regardless of the source, still images retain their power of freezing
                      moments in time. That power frequently transcends the power of the
                      moving image. Still images will be key elements in the storytelling
                      process for journalists and others into the future. There will be a place
                      for still photography side by side with motion photography until a new
                      medium exists that can combine the strengths of both.


                      Web Sources

                      Examples of good photojournalism, both still and video: http://www.nppa.org/
                        competitions/
                      Hypertext version of Jacob Riis’s book How the Other Half Lives: http://www.yale.edu/
                        amstud/inforev/riis/title.html
                      Information on the Farm Security Administration: http://memory.loc.gov/ammem/
                        fsowhome.html
                      Information on Dirk Halstead’s advocacy for digital video journalism: http://www.
                        digitaljournalist.org/
                      Information on Roger Fenton: http://www.loc.gov/rr/print/coll/251_fen.html
                      Information on the giants of photojournalism: http://www.masters-of-photography.
                        com/index.html
                      Photography history from Kodak: http://www.kodak.com/US/en/corp/kodakHistory/
                        index.shtml
   116   117   118   119   120   121   122   123   124   125   126