Page 24 - Convergent Journalism an Introduction Writing and Producing Across Media
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WHAT IS CONVERGENCE AND HOW WILL IT AFFECT MY LIFE?



                                  Business Models and Convergence

                                  American media are businesses, and one of the realities of business is
                                  the need to make money to sustain the supply of content. Journalism
                                  needs advertising and advertising needs journalism, because advertis-
                                  ing pays for good reporting just as good reporting attracts customers
                                  for advertising. As editor of the Orlando Sentinel, John Haile saw the
                                  potential of new media—and the dangers of media fragmentation. He
                                  recognized the importance of protecting a company’s revenues, and
                                  said new media and convergence offered a way to do so. “The issue
                                  driving my actions was the threat to our ability to do great journalism.
                                  I had long believed that the soundest foundation of a free and success-
                                  ful press was a financially successful press. As I looked to the future, I
                                  could see how that financial base could be eroded by the proliferation
                                  of new media and the almost certain fragmentation of our audience”
                                  (2003, p. 4). Haile introduced the concept of convergence in 1995 via
                                  various arrangements, including a partnership in the fall of 1998 with
                                  Time Warner, which owned the all-news cable channel Central Florida
               14                 News 13. Sentinel reporters and editors contributed regular news and
                                  features stories throughout the day. Later that year, Haile designed
                                  and had installed a multimedia desk in the center of the newsroom as
                                  a symbol of convergence.
                                     In the best of all worlds, the journalism–business tension resolves
                                  itself in a balance where good journalism attracts enough advertis-
                                  ing to sustain both the journalism and the need to make a profit.
                                  If the equation gets out of balance, such as during an economic
                                  recession or when managers get greedy, the tension becomes more
                                  magnified. If the equation is balanced, convergence can work. Conver-
                                  gence can appear attractive to some editorial managers and publishers
                                  who think that multi-skilled journalists should potentially be able to
                                  produce more news for the same or little more money. They rea-
                                  son that their organizations should be able to cut costs because of
                                  increased productivity—more multi-skilled reporting means the orga-
                                  nization needs fewer reporters. This remains one of the most popular
                                  myths about convergence. Major opportunities do exist for cross-
                                  promotion and marketing, where each medium recommends the next
                                  in the news cycle. And it is possible to save money through shared
                                  back-end facilities such as payroll and human resources if one com-
                                  pany introduces convergence. But convergence does not cut costs in the
                                  content-producing areas. Professor James Gentry has advised several
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