Page 169 - Cultural Studies A Practical Introduction
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Audience, Performance, and Celebrity       153

                  not for the British Broadcasting Corporation, and the BBC would not have
                  known of Elvis unless savvy music industry entrepreneurs had not seen a
                  gold mine in Elvis ’  talent and marketed it successfully to the world. But
                  they were the medium, not the message. The talent and the aura they saw
                  in Elvis were what attracted Don, and although the pop music magazines
                  enabled him to collect cut - out images of the stars, it was his attachment,

                  his identification with the stars that prompted him to listen to the music

                  and to buy the magazines in the first place, not successful marketing. Why
                  did Don develop such strong attachments to popular celebrities? It gave
                  him companions amongst his male friends who liked similar things and
                  who shared his taste. So it made him feel that he belonged to a community,
                  just as in the past Irish monks might have bonded in monastic communi-
                  ties over their favorite religious celebrities such as Jesus. But did it change
                  his life and provide him with a sense of personal direction, a guide for
                  action in the world, in the way that religious celebrity culture did in the
                  past and still does for many? In a way, yes.  “ Don ’ t be cruel to a heart that ’ s

                  blue ”  might be said to be Elvis ’  first commandment, just as his tenth might
                  be said to be  “ We can ’ t go on together with suspicious minds; and we can ’ t
                  build our dreams on suspicious minds. ”  This may be the religious moral
                  wisdom of a fallen popular culture imbued with polluted venal commercial
                  interests, but it is comparable to traditional religious instruction in its
                  ability to provide moral direction in everyday life. By now, we all know not
                  to steal (those of us wealthy enough not to have to, at least), but we don ’ t
                  all know not to interact with our loved ones in a suspicious way if we want
                  happiness in life.
                      Scholars who have interviewed fans of celebrities such as Elvis report
                  that celebrities are more than simply objects of interest. Knowing them is
                  a little like knowing a friend or an intimate, and for many it is probably a
                  way of compensating for the fact that modern life has shed older forms of
                  small town or village or extended family community. People lead more
                  dispersed lives these days than before, and they are more likely as a result
                  to be isolated or to live alone. But even those with full interpersonal lives
                  enjoy celebrity knowledge and celebrity attachment because we all lead
                  imaginary lives along with the ones we lead when we engage with the real
                  world around us. What distinguishes humans from animals is intelligence
                  and imagination, and we use those to create more complex communities
                  than animals are capable of creating. Even when we are not in the presence
                  of those in our personal community of friends or family members, we
                  think of them, we imagine them, and we fantasize about them. Our normal
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