Page 34 - Cultural Studies Volume 11
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28 CULTURAL STUDIES

            and  slovenly  housewifery  or  with  frigidity  and  obsessive  orderliness. 7  Indeed,
            these associations have been so reinforced in our culture that representations of a
            woman’s deficient or excessive housekeeping immediately suggest her excessive
            or deficient sexuality. As the advertisement discussed above demonstrate, codes
            of personal cleanliness and sexuality are bound up with the diverse chores of the
            housewife, infusing cultural constructions of her sexuality with hygienic concerns
            —a  ‘slut’  is  both  a  slovenly  housewife  and  a  promiscuous  woman.  The
            housewife’s role as cleaner becomes associated with her role as sexual partner. The
            concerns  with  cleanliness  that  inform  her  occupation  or  work  are  mirrored,
            perversely, symptomatically, in her sexuality and her body. Cleaning, a practice
            involved  with  the  articulation  of  boundaries,  marks  the  confusion,  the  lack  of
            differentiation (between labour and libido) that haunts this body.
              A  host  of  contradictory  imperatives  shape  the  modern,  white,  middle-class
            housewife’s  identity,  and  thus  (constructed  and  contrived)  conceptions  of
            women, overall: be clean, but not too clean; be natural, but not too natural; be
            cultivated  and  polished,  but  not  too  cultivated;  be  sexual,  but  not  too  sexual.
            These contradictions can be seen as deriving, at least in part, from the woman/
            wife’s cultural role as a cleaner or preserver of boundaries. It seems then that her
            function, in both her practices and in the construction of her identity, is to serve
            as an e/liminator. As an entity (a universalized gender figure) who absorbs and
            embodies the contradictions of symbolic borders or boundaries, the idea of ‘the
            Woman’ incorporates and thereby effaces the liminal—the threshold or margin
            that dirties the clarity of distinct oppositions, the imbrication or connection that
            confuses or mixes the parties to any difference.
              The  modern  entity  ‘Woman’  has  a  history  inseparable  from  the  industrial
            revolutions,  the  coincident  social  and  psychic  separation  of  public  and  private
            spheres, and the rise and triumph of the middle class over an aristocratic social
            order.  The  contemporary  ideological  and  symbolic  operations  of  the  gender
            binary discussed above can only be understood in this historical context. Nancy
            Armstrong cogently outlines this point:
              We  are  taught  to  divide  the  political  world  in  two  and  to  detach  the
              practices  that  belong  to  the  female  domain  from  those  that  govern  the
              marketplace….  In  actuality,  however,  the  changes  that  allowed  diverse
              groups  of  people  to  make  sense  of  social  experience  as  these  mutually
              exclusive worlds of information constitute a major event in the history of
              the  modern  individual.  It  follows,  then,  that  only  those  histories  that
              account  for  the  formation  of  separate  spheres—masculine  and  feminine,
              political and domestic, social and cultural—can allow us to see what this
              semiotic behavior had to do with the economic triumph of the new middle
              classes.
                                                                (1987:9–10)
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