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258 ENGLISH STUDIES























            the hero to discard his glamorous careerist fiancee, who painlessly transfers her
            affections to the duke, thus aptly supplementing her suspect femininity with an
            equally defective masculinity (he has a ‘drooping moustache’). The three major
            narrative strands show a close formal correspondence. In each three terms must
            be reduced to two: a false claimant must be eliminated and the true one revealed.
            In the marriage narrative the wrong woman is neatly removed, to be replaced by
            the right one. In the property narrative the false heir gives way to the true one but
            is reincorporated by becoming virtually the hero’s son. In the heather narrative
            the plant is ‘stolen’, then recovered for its true owner, and potential
            unpleasantness is avoided by the discovery  that it was not stolen at  all, but
            merely removed  inadvertently by a child, whose  working-class mother is
            satisfyingly abject and deferential. As the title suggests, the first two narratives
            are mediated by the third,  not only because the pursuit  and recovery of the
            heather actually provides the conditions for their successful outcome, but also
            because at the level of formal functions it suggests the metaphorical mechanism
            by which that outcome is accomplished: hybridization.
              The text  accords a surprising  and  seemingly irrelevant prominence  to
            nationality: Scottish, English, American. Each is variously nuanced, but it is not
            difficult to see that problematics of gender, of ownership and domesticity, even,
            marginally, of class are  all condensed  into  the  central motif of nationality. A
            textual schema might look like this:

              From  this it can be seen that the inevitable rightness of the  narrative
              resolution is already composed, from the beginning, in the terms of a sub-
              narrative ideology of hybridization. The cross-breeding of elements that
              may in themselves be decayed, effete or crass produces a stronger, purer
              stock—an alliance of aristocracy  and petty bourgeoisie, of English-
              speaking nations, above all of man and woman, children and home: the
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