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264 ENGLISH STUDIES

               of the Sphinx.  It discusses theoretical issues of relevance  to work on fiction  and
               representation.
            Showalter, E., A Literature of Their Own (Virago 1977). A literary historical account of
               British women’s  writing from  the mid  nineteenth to the mid twentieth centuries,
               which argues that women’s writing is best understood using a subcultural model.
            Taylor, H., ‘Class and gender in Charlotte Brontë’s  Shirley’, Feminist Review, no. 1
               (1979). Argues that Shirley has been repeatedly misread in criticism because of the
               failure to see her concern as being with class and sexual politics, rather than the one
               being a metaphor for the other.


                               Marxism and literary criticism

            Balibar, R., Les Français Fictifs (Paris: Hachette 1974). An account of the process by
               which certain writings are recognized as ‘literary’ in the context of the development
               of the French national language and education system in the nineteenth century.
            Balibar, R., ‘An example of literary work  in France: George Sand’s “La Mare au
               Diable”/“The Devil’s Pool”’, in F.Barker et al. (eds.), The Sociology of Literature:
               1848 (University of Essex Press  1978). An essay  (in English) demonstrating
               literature’s relation to literacy, social class and education, which Balibar developed
               theoretically in Les Français Fictifs.
            Barrett, M.,  et al. (eds.),  Ideology and Cultural Production  (Croom Helm 1979). A
               collection of  papers presented  to  the 1978 Annual BSA  Conference  on culture.
               Various concrete studies locate  and outline the main  problems and issues within
               cultural studies.
            Bennett, T., Formalism and Marxism (Methuen 1979). A taut, clear and useful account of
               Russian formalist criticism and of recent Althusserian Marxist criticism, concluding
               with attractive suggestions for future work.
            CCCS English Studies Group,  ‘Thinking the thirties’, in F.Barker  et al. (eds.),  The
               Sociology of Literature: 1936 (University of Essex Press 1980). An analysis of the
               social relations of literary production, which suggests an analysis of fictional writing
               in  terms of a literary formation.  It  addresses a number  of  theoretical issues:
               periodization, gender determination and the question of reading/s.
            Davies, T., ‘Education, ideology and literature’, in Red Letters, no. 7 (1978). Seminal first
               thoughts on Renée Balibar’s work in relation to English education and the English
               language.
            Dubois, J.,  L’Institution de la littérature (Brussels: Fernand Nathan 1978). A
               ‘sociological’ but very  useful  review of ways  of thinking  the literature/society
               relation, whether or not the concept of the literary institution is found convincing.
            Eagleton, T., Marxism and Literary Criticism (Methuen 1976). An introduction to and
               account of the development of Marxist literary criticism, which outlines  its main
               theories and issues.
            Eagleton, T., Criticism and Ideology (New Left Books 1977). An important theoretical
               account of literature’s relation to ideology within an Althusserian framework.
            Jameson, F., Marxism and Form: Twentieth Century Dialectical Theories of Literature
               (Princeton University Press 1972). A full and suggestive meditation on the work of
               Adorno, Benjamin,  Lukács, Sartre and  others, ‘towards  a dialectical criticism’ of
               literary form.
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