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FURTHER READING AND CONTACTS 265

            Lane, M., Commerce Against Culture (Pluto Press, forthcoming). A history and analysis of
               changes in the structure of publishing since 1945.
            Macherey, P., A Theory of Literary Production (Routledge and Kegan Paul 1978). A work
               of theoretical analysis  which developes the  Althusserian theory of ideology in
               relation to literature.
            Macherey, P., ‘Literature as an ideological form: some Marxist theses’ (CCCS Stencilled
               Paper, forthcoming).
            New Left Books, Aesthetics and Politics (New Left Books 1977). A collection of essays
               by Lukács, the ‘Frankfurt School’ and Brecht, outlining the main positions in the
               realism/modernism debates.  Each group  of essays  is introduced, and there is a
               concluding afterword by Fredric Jameson.
            Solomon, M. (ed.),  Marxism and Art—Essays  Classic and Contemporary (New York:
               Vintage 1974). A reader designed to present a wide range of Marxist critical opinion
               on the theorization of literature, art and culture. Currently out of print, it is to be
               republished in America—a project financed through public subscription.
            Williams, R., Marxism and Literature (Oxford University Press 1977). A fully considered
               bringing together of Williams’s own body of work with a suggestive review of
               central Marxist concepts.
            Williams, R., Politics and Letters (New Left Books 1979). Taped intellectual and political
               autobiography, immensely resonant and important.


                                     Popular culture

            Braden, S., Artists and People (Routledge and Kegan Paul 1978). A study of the role of
               art in the community and of community artists.
            Bromley, R., ‘Natural boundaries: the social function of popular fiction’, in Red Letters,
               no. 7 (1978). An analysis of popular fiction using a broad theory of ideology and
               culture which develops the concept of masculine and feminine romance.
            Brunsdon, C., and Morley, D., Everyday television: ‘Nationwide’ (British Film Institute
               1978). An analysis  of the  way  Nationwide  addresses  itself to both a national
               audience, united in the diversity of regions, and an audience of ordinary individuals,
               grouped in families.
            Horkheimer,  M., and Adorno, T.,  ‘The culture  industry:  enlightenment as the mass
               deception’, in Dialectic of Enlightenment (New Left Books 1979). The central text in
               the  ‘Frankfurt  School’s’ account of mass  culture in terms  of  the structure  of the
               commodity and reification.
            Jameson, F., ‘Ideology, narrative analysis and popular culture’, in Theory and Society, no.
               4 (1977). A review of recent work on popular culture utilizing recent concepts of
               ideology and developments in narrative theory.
            Laclau, E., Politics and Ideology in Marxist Theory (New Left Books 1977). Contains an
               account of interpellation through ideology which others have tried to use in relation
               to literary texts.
            Mercer, C., ‘Culture and ideology in Gramsci’, in Red Letters, no. 8 (1978). A useful
               account of Gramsci’s and Althusser’s work, developing a reading of interpellation.
            Nowell-Smith, G., ‘Common sense’, in Radical Philosophy, no. 7 (1974). A short but
               pointed essay on Gramsci’s use of common sense.
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