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                     CULTURE, SOCIETY AND ECONOMY

                     when viewed from particularly insightful angles, spontaneous expressions
                     of consciousness often arrive at profound representations of reality. This
                     is particularly true in the field of popular art but, alas, only for a few
                     artistes. Their work attains a lasting status because they capture a partic-
                     ularly telling moment when events force truth to peep out from reality –
                     a moment which we all recognize, if only instinctively.
                        Therefore, where the falsity of spontaneity derives from is not intel-
                     lectual error or a failure in reasoning. To argue this way is to pose the
                     problem entirely within the framework of empiricism or of traditional
                     French rationalism. Falsity derives from the very operations of political-
                     economic reality itself. It is a real experience which obscures the fullness
                     of reality and, therefore, it is only real experience which can change it. It
                     is because spontaneous forms of consciousness are anchored in real expe-
                     riences and social relationships – for example, the real experience of mar-
                     ket exchanges – why they arise in the first place and are so tenacious.
                     They are not figments of the imagination – mere ‘errors’ of reasoning or
                     failures of empirical ‘data analysis’. Part of the cunning of reality is just
                     this: it produces both the reality as well as the processes which obscure
                     reality. A complete grasp of reality would therefore go beyond the spon-
                     taneous and would explain, not only what the underlying reality consists
                     of but also, even more important, how economic processes themselves
                     operated to generate a camera obscura.
                        Thus far, Hall’s account of false consciousness is materialist, some
                     may even say orthodox. Although he does not there acknowledge it –
                     indeed, under the influence of Althusser, Hall explicitly makes a number
                     of anti-Hegelian asides – this line of thinking is clearly Hegelian. Ideas
                     such as the distinction between a ‘surface’ which is the ‘form’ of reason
                     and which, while an expression of Reason’s ‘substance’ may obscure its
                     ‘essence’ are unmistakably Hegelian in nature. In the Philosophy of Right,
                     Hegel wrote:

                        The great thing is to apprehend in the show of the temporal and the tran-
                        sient the substance which is immanent and the eternal which is present. For
                        since rationality (which is synonymous with the Idea) enters upon external
                        existence simultaneously with its actualization, it emerges with an infinite
                        wealth of forms, shapes, and appearances. 5
                     In fact, without resorting to the considerable Hegelian heritage in Marx,
                     it is impossible to arrive at a notion of ideology which is non-mechanistic.
                     Indeed, the basic Hegelian distinction between Understanding (Verstehen)
                     which remains at the level of ‘show’ (Schein), and Reason (Vernunft), more or
                     less corresponds to the distinction in Marx between false consciousness


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