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CULTURE, SOCIETY AND THE MEDIA 259
            impact of the media on audiences is concerned, and hence also about the need to
            study audience-level  processes. Interestingly,  the first main  moves  towards
            convergence of this kind have been taken by those who are actively engaged in
            empirical effects research. We shall try to illustrate these by briefly looking from
            this point of view at three alreadydescribed lines of work being currently pursued
            by effects  researchers:  studies of  the  agenda-setting function of the media;
            studies of mass media constructions of social reality; and examinations of the
            role of  the media in influencing—and typically  eroding—public  trust  in
            government. We shall then conclude by giving our reading of the evidence of the
            development of awareness among certain Marxist students of the media of a need
            to examine the reception of mass-communicated messages by audience members.
              In considering recent work in the effects tradition we wish to highlight two
            emergent themes: (1) media effects are conceptualized primarily in terms of the
            shaping of the categories and frameworks  through which  audience  members
            perceive socio-political reality;  (2) the  impact  of  the media in producing  and
            communicating these frameworks is treated as rooted in characteristics of media
            organizations and of the professional practices which prevail in them, rather than
            in features of the persuasion process. Taken together, these themes tend to cast
            the media in an ideological role in form (though not necessarily in direction) not
            unlike that proposed by Marxist analysts.
              The main  thrust  of  agenda-setting research assigns to the  mass media  an
            ability to signal to their audiences what are the most important issues of the day,
            and so to construct an ‘agenda for society’. Thus, according to this thesis, while
            the media may not be able to tell people what to think, they may be effective in
            telling them what to think about. Such a conceptualization reflects a shift from
            preoccupation with attitude and opinion change in the earlier stages of media
            effects research towards a concentration on the contributions of the media to the
            formation of frameworks through which people regard political events and
            debates.  Furthermore, the mass  media  are  seen to perform this  role, not  by
            analysing and arguing the merits of different issues, but by the manner in which
            they select, highlight and assign greater prominence to some issues rather than to
            others. The setting of the political agenda is thus seen as an implicit outcome of
            production practices  in the media rather than as  the  deliberate attempt to
            determine what the public should  think.  It is consequently at  least partially
            ‘hidden’ from  the audience and may even be  ‘hidden’ from  professionals
            involved in news production themselves, who prefer to think of themselves as
            passing news events on to the audience instead of shaping them up through the
            application of value judgements and constructed frameworks of perception. Read
            in this manner, agenda-setting research appears to converge towards the Marxist
            view that the ideological role of the mass media has structural roots, embedded
            in routines and practices of media production,  which in turn may  reflect
            interpretative frameworks dominant in society at a given time.
              The ‘construction of social reality’ vein of effects studies is based on a similar
            conceptualization of the impact of the mass media. Through continual repetition
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