Page 159 - Cyberculture and New Media
P. 159

150                     The Implicit Body
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                             147
                                In “Tangent Three,” Derrida critiques Merleau-Ponty for figuring touch as
                             direct  contact  with  the  other’s  body  and,  thereby,  the  appropriation  of  the
                             other’s  alterity.  In  the  classic  haptocentric  move,  Merleau-Ponty  also
                             conflates sight and touch occasionally, while subordinating touch to sight for
                             the  most  part.  (Although  there  are  later  Merleau-Ponty’s  who  deliver  this
                             critique to earlier Merleau-Ponty’s, the latter work still, for Derrida, stumbles
                             on the “anthropology of touch” (Naas, p. 560). In Tangents Four and Five,
                             Derrida  looks  at  the  work  of  Chrétien  and  Franck  who  are  credited  with
                             radicalizing our understanding of touch and “showing the way the non-proper
                             (what is other or from the other) always interrupts the proper of ‘my flesh’
                             [thereby  rupturing]  the  auto-affection  of  a  phenomenology”  but  ultimately
                             end up affirming the privilege of man’s hand by not taking into account “the
                             role of the techno-prosthesis located as the ‘heart’ of the so-called ‘lived’ or
                             ‘body proper’” (Ibid).
                             148
                                Naas, p. 559.
                             149
                                Derrida, pp. 96-7.
                             150
                                Ibid, p. 113 and p. 273.
                             151
                                Ibid, p. 127. Derrida most often, although not always, uses Nancy’s terms
                             - the ‘techne of the body’ or ‘ecotechnics’ - instead of those more commonly
                             used - ‘the technical,’ of techne, and ‘technology’ or even ‘the question of
                             technics’  -  “in  order  to  follow  him  and  warn  against  the  general-singular
                             (‘the’ technical) and against the modern doxa always prone to misusing this
                             conceptual bent or alibi.” Nancy in “A Finite Thinking” calls for vigilance
                             with regards ‘technology’ as a ‘fetish-word’: “There is no ‘the’ … here …
                             there is not ‘the’ technical, merely a multiplicity of technologies.” Earlier he
                             has marked his analysis with these two other propositions: “‘The’ technical is
                             nothing other than the ‘technique’ of compensating for the nonimmanence of
                             existence  in  the  given”;  or:  “‘The’  technical  -  understood  this  time  as  the
                             ‘essential’ technicity that is also the irreducible multiplicity of technologies -
                             compensates  for  the  absence  of  nothing;  it  fills  in  for  and  supplements
                             nothing’” (Ibid, pp. 286-7).
                             152
                                Ibid, p. 129.
                             153
                                Perpich, p. 6.
                             154
                                Is this problematic for bodies that have had the privilege of being seen as
                             self-identical and whole? Nancy, as so many, pays scant attention to gender,
                             for  example.  But,  argues  Perpich,  his  account  address  “those  bodies
                             considered borderline without having to position them at the outer limits (or,
                             for that matter, at the center)” (p. 7). His work also augments the  work of
                             feminist  philosophers  such  as  Judith  Butler  in  its  movement  beyond  the  a
                             priori instantiation of social constructionism - the sexed body that is prior to
                             the social inscription of gender.
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