Page 190 - Cyberculture and New Media
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Leman Giresunlu                    181
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                             remarks already indicates the people’s entrapment in between. Therefore, it
                             also caters  to the paranoia  lore prevalent in  American society  in regard of
                             high technology:

                                     9  out  of  10  homes  contain  (Umbrella  Corporation’s)
                                     products.  It’s  political  and  financial  influence  is  felt
                                     everywhere. In public it’s the world’s leading supplier of:
                                     computer technology, medical products, (and) health care.
                                     Unknown  even  to  its  employees,  its  massive  profits  are
                                     generated by military technology, genetic experimentation
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                                     (and) viral weaponry.

                                    In this respect, the movie creates a cross-cultural critical approach
                             against all kinds of oppression, evil and terror in the past and the present, at
                             home and abroad. Similarly, the pre and post contamination zombie-like Hive
                             employees  are  a  criticism  of  the  mindless,  soulless  and  memory  defective
                             ignorant masses striving only to appease their primal drives for food. These
                             masses since have no memory, cannot recall the mentality and dynamics of
                             the Nazi terror in the past, and in a different geographical context, neither can
                             they recognize similar manipulative mindsets endemic of giant corporations
                             for which they are willingly enslaving themselves. In this respect, the movie
                             is also a critique of potential oppression and abuse giant and impersonalized
                             corporations  may  generate.  As  in  the  case  of  the  Umbrella  Corporation,
                             marriages between men and women require the corporation’s approval. This
                             constitutes an example for corporate intrusion into domesticity, in the film.
                                    However, in reference to the first and second movies, Resident Evil
                             and Resident Evil: Apocalypse it is worth the mention that the choice of the
                             name Raccoon for a city in this movie is a reference to the animal Raccoon
                             which  generally  lives  in  pairs.  That  is,  they  come  in  twos.  Therefore,  the
                             city’s name as Raccoon enforces furthermore the binary mindset. Basically,
                             the  use  of  the  binary  implies  the  possibility  that  in  addition  to  the  actual
                             incident occurring in Raccoon city, other similar incidents maybe currently
                             happening somewhere else in the present, might have happened already in the
                             past, or may as well happen in the future. Thus, the doubling format through
                             the name of the animal Raccoon for the city in Resident Evil movies enables
                             a sense of continuity, and sameness in place and in time. On another note, the
                             name Raccoon chosen  for a  city is also symbolic  in regard of the pastoral
                             element,  amidst  the  bustle  for  technology.  However,  Raccoon  city  and  its
                             residents disappear in the nuclear blast implemented in order to contain the
                             virus from spreading any further. Therefore, the natural element symbolized
                             in the raccoons, terminates.
                                    In this respect, the idea of massive extinction resulting from misuses
                             of  technology  is  also  the  subject  matter  of  the  third  and  final  film  in  the
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